The solution to so many problems seems obvious once you know where to look. My conversation with Dwight had generated a shift in my mind-set and the questions that had troubled me before now seemed to have answers that made perfect sense. Some of them, at any rate. I needed confirmation, but at least now I had a working premise. Jean Timberlake had been murdered to protect Dwight Shales. Ori Fowler had died because she was meant to die... to get her out of the way. And Shana? I thought I understood why she had died, too. Bailey was supposed to take the rap for all of it, and he'd fallen for it like a chump. If he'd had sense enough not to run – if he'd just stayed put-he couldn't have been blamed for everything that'd happened since.

I approached the motel from the rear, through a vacant lot filled with weeds and broken glass. Many of the motel windows were ablaze with lights. I could imagine all the uproar caused by the presence of sheriffs' cars. I suspected there was still a deputy posted somewhere close, probably just outside my room. I reached the Fowlers' back door. The kitchen light was on, and I could see the shadow of someone moving around in the back part of the apartment. A little black-and-white television now sat on the counter, a taped newscast flickering across the empty room. Quintana was making mouth noises on the courthouse steps. Must have been this afternoon. A picture of Bailey Fowler followed. He was being led, in handcuffs, to a waiting vehicle. On came the announcer, turning to the weather map. I tried the kitchen door. Locked. I didn't want to stand out there trying to pick the lock.

I circled the building, hugging the outside wall, checking darkened windows for one left ajar. What I found instead was a side door that was located just across from the stairway inside the back hall. The knob turned in my hand and I pushed the door open cautiously. I peered in. Royce, in a ratty bathrobe, was shuffling down the hall toward me, slump-shouldered, eyes on his slippers. I could hear the hum of his weeping, broken by intermittent sighs. He was walking his grief like a baby, back and forth. He reached the door to his room and turned, shuffling back toward the kitchen. Now and then he murmured Ori's name, voice breaking off. Lucky is the spouse who dies first, who never has to know what survivors endure. Royce must have signed himself out of the hospital after Reverend Haws paid his call. Ori's death had pushed him past struggling. What did he care if he sped death along?