Chapters (78)
- Cover
- Available now from Mercedes Lackey and Titan Books
- Title Page
- Copyright
- Exile’s Honor: Book One of Exiles of Valdemar
- Dedication
- Prologue
- Part One: Exile’s Choice
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- Part Two: The Tedrel Wars
- 8
- 9
- 10
- 11
- Part Three: The Last Battle
- 12
- 13
- 14
- 15
- 16
- 17
- 18
- 19
- 20
- Epilogue
- Exile’s Valor: Book Two of Exiles of Valdemar
- Dedication
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- 11
- 12
- 13
- 14
- 15
- 16
- 17
- 18
- 19
- 20
- 21
- Take a Thief: Book Three of Exiles of Valdemar
- Dedication
- 1
- 2
- 3
- 4
- 5
- 6
- 7
- 8
- 9
- 10
- 11
- 12
- 13
- 14
- 15
- 16
- 17
- 18
- 19
- 20
- About the Author
- Also Available from Titan Books and Mercedes Lackey
Alberich knew from his previous visits where to find Master Cuelin; in the Master Workshop. That was where he headed. The glassworks itself was a dangerous place, and he was extremely careful as he made his way through it.
Even now, in the dead of winter, it was very warm in here. Surrounding the furnaces were stations for molding glass, for those who decorated finished vessels, for beadmakers, for glassblowers. The floor was of pounded dirt, the benches and tables made of metal and stone. There was very little that could catch fire, logically enough. It was surprisingly dark here, too; Alberich supposed there was a reason for that. Perhaps it made the hot glass easier to see while it was being shaped.
Glass was both blown and molded here, and all manner of things were made. The most common pieces were molded disks and the thick “bullseye” glass for inferior windows, made by dropping hot glass into molds and pressing it. That was a job for an apprentice; it was relatively easy, relative being the proper word when you were talking about glass, a substance that ran like melted wax and would burn you to the bone if it got on you. Beadmakers formed their amazing little works of art on mandrels at their own little benches—or spun out long, thin tubes of colored glass to be chopped into bits and sand-polished in big drums when cool. Glassblowers formed the molten stuff into every shape imaginable, and decorators took the finished vessels and shapes and embellished them with ribbons of colored glass.
Alberich had been here once before, when he had commissioned his window, and then, as now, it had occurred to him how like a glassworker Vkandis Sunlord was. The glass had no notion of what it was going to be; it was melted in the heat of His regard, then molded or shaped, polished, turned into something that bore little or no resemblance to the grains of sand it had been.
Sometimes mistakes happened. And when they did, He gathered up the broken shards with infinite patience, put them back in His furnace, and began again.
The more conventional analogy—and the one that the Sunpriests favored—was to compare Him to a swordmaker. But it had come to Alberich that He was really nothing like a swordmaker; for one thing, the vast majority of the people He made were not creatures of war. And for another, few of them were tempered and honed. Most of them were simply made, humble creatures of common use, as perfectly suited to their lives as a thick pressed-glass window. Some were merely ornamental, like a bead. Some were honed and polished like the glass scalpels the Healers used for the most careful surgery. But they all came from the same hands, and the same place.