Back Every Last Fear
Chapters (72)
  1. Title Page
  2. Copyright Notice
  3. PROLOGUE
  4. CHAPTER 1
  5. CHAPTER 2
  6. CHAPTER 3
  7. CHAPTER 4
  8. CHAPTER 5
  9. CHAPTER 6
  10. CHAPTER 7
  11. CHAPTER 8
  12. CHAPTER 9
  13. CHAPTER 10
  14. CHAPTER 11
  15. CHAPTER 12
  16. CHAPTER 13
  17. CHAPTER 14
  18. CHAPTER 15
  19. CHAPTER 16
  20. CHAPTER 17
  21. CHAPTER 18
  22. CHAPTER 19
  23. CHAPTER 20
  24. CHAPTER 21
  25. CHAPTER 22
  26. CHAPTER 23
  27. CHAPTER 24
  28. CHAPTER 25
  29. CHAPTER 26
  30. CHAPTER 27
  31. CHAPTER 28
  32. CHAPTER 29
  33. CHAPTER 30
  34. CHAPTER 31
  35. CHAPTER 32
  36. CHAPTER 33
  37. CHAPTER 34
  38. CHAPTER 35
  39. CHAPTER 36
  40. CHAPTER 37
  41. CHAPTER 38
  42. CHAPTER 39
  43. CHAPTER 40
  44. CHAPTER 41
  45. CHAPTER 42
  46. CHAPTER 43
  47. CHAPTER 44
  48. CHAPTER 45
  49. CHAPTER 46
  50. CHAPTER 47
  51. CHAPTER 48
  52. CHAPTER 49
  53. CHAPTER 50
  54. CHAPTER 51
  55. CHAPTER 52
  56. CHAPTER 53
  57. CHAPTER 54
  58. CHAPTER 55
  59. CHAPTER 56
  60. CHAPTER 57
  61. CHAPTER 58
  62. CHAPTER 59
  63. CHAPTER 60
  64. CHAPTER 61
  65. CHAPTER 62
  66. CHAPTER 63
  67. CHAPTER 64
  68. CHAPTER 65
  69. EPILOGUE
  70. ACKNOWLEDGMENTS
  71. ABOUT THE AUTHOR
  72. Newsletter Sign-up

Keller flipped through the stack, brushing through the pages and pages of unintelligible code until she found the search engine report. It contained every search made through the family’s internet service in the past three months. Searches about takeout food (“menu for Thai Garden”), the weather (“is it going to rain today”), education (“best MIT dorms”), leisure (“what’s on TV tonight”), health (“why can’t I sleep”), arts and crafts (“how to make slime”), and the other infinite queries of an ordinary American family.

In the Financial Crimes Section, where agents had to analyze mountains of data, she’d learned to separate the wheat from the chaff. For search engine reports, Keller’s go-to trick was to jump to what users had purposefully deleted from their search history. Typically, it was what you’d expect: lots and lots of pornography.

But the Pine deleted searches included no porn-related inquiries. Someone, however, had erased some troubling searches from the history:

Does life insurance pay if you kill yourself

How to make sure insurance pays if suicide

How many Zoloft needed to overdose

Effects of parent suicide on kids

The sound of Keller’s office phone interrupted her. She plucked the receiver from its cradle. “Keller,” she said, in her official voice.

“Judy and Ira Adler are here to see you,” the receptionist said.

“Who?” Keller clicked on her calendar to see if she’d forgotten an appointment. “I don’t see anyone on my schedule.”

“They say they’re here about the Pine investigation.”

Keller thought about this. Officially, there was no investigation. And certainly not one anyone would associate with Keller. She was effectively a babysitter, assigned because of Bureau politics and the strained connection to the Marconi case. While the receptionist waited with an annoyed breath through the receiver, Keller tapped “Judy Adler” into her computer’s search engine. A Wikipedia page appeared: “Judy Adler is an Emmy Award–winning filmmaker and producer. She rose to prominence with her documentary series ‘A Violent Nature,’ which she codirected with her husband, Ira.”

Keller released her own annoyed breath. “I’ll be right out.” She made her way down the hallway. Through the glass security doors she got a look at her visitors.

Judy Adler was probably in her late fifties. She wore black, and had dark hair with severe bangs. With her was a man of a similar age, who wore slightly tinted eyeglasses and had disorderly gray hair.

In the reception area, Judy approached with a confident stride, sticking out her hand.

“Special Agent Keller, thanks for meeting with us. I’m Judy Adler. This is my husband, Ira.”

Keller was tempted to say that she knew who they were, but just shook both their hands, nodded politely. “What can I do for you?”

“We hoped we could talk”—Judy looked around the empty reception area as if to confirm no one was listening—“about the Pine investigation.”

“I don’t know what you’re referring to.”