Back Every Chance After Save as PDF
Chapters (106)
  1. Title Page
  2. Piracy Notice
  3. Dedication
  4. Author’s Note
  5. 1. Grady
  6. Grady
  7. 2. Marnie
  8. Marnie
  9. 3. Grady
  10. Grady
  11. 4. Marnie
  12. Marnie
  13. 5. Grady
  14. Grady
  15. 6. Marnie
  16. Marnie
  17. 7. Marnie
  18. Marnie
  19. 8. Grady
  20. Grady
  21. 9. Marnie
  22. Marnie
  23. 10. Grady
  24. Grady
  25. 11. Marnie
  26. Marnie
  27. 12. Grady
  28. Grady
  29. 13. Marnie
  30. Marnie
  31. 14. Marnie
  32. Marnie
  33. 15. Grady
  34. Grady
  35. 16. Marnie
  36. Marnie
  37. 17. Grady
  38. Grady
  39. 18. Marnie
  40. Marnie
  41. 19. Grady
  42. Grady
  43. 20. Marnie
  44. Marnie
  45. 21. Grady
  46. Grady
  47. 22. Marnie
  48. Marnie
  49. 23. Grady
  50. Grady
  51. 24. Marnie
  52. Marnie
  53. 25. Grady
  54. Grady
  55. 26. Grady
  56. Grady
  57. 27. Marnie
  58. Marnie
  59. 28. Grady
  60. Grady
  61. 29. Marnie
  62. Marnie
  63. 30. Grady
  64. Grady
  65. 31. Marnie
  66. Marnie
  67. 32. Grady
  68. Grady
  69. 33. Marnie
  70. Marnie
  71. 34. Grady
  72. Grady
  73. 35. Marnie
  74. Marnie
  75. 36. Grady
  76. Grady
  77. 37. Marnie
  78. Marnie
  79. 38. Grady
  80. Grady
  81. 39. Marnie
  82. Marnie
  83. 40. Grady
  84. Grady
  85. 41. Grady
  86. Grady
  87. 42. Marnie
  88. Marnie
  89. 43. Grady
  90. Grady
  91. 44. Marnie
  92. Marnie
  93. 45. Marnie
  94. Marnie
  95. 46. Grady
  96. Grady
  97. 47. Marnie
  98. Marnie
  99. Epilogue
  100. Epilogue
  101. GRADY
  102. MARNIE
  103. GRADY
  104. Bonus Content
  105. From the Author
  106. Also by Jessica Sherry

“Wade needs a manager to help him turn the place around and bring in business. I thought of you.”

Her brow kinks, and she turns toward the window like she might be preparing a nicer version of, “Fuck off, Grady. Take me home, you meddling bastard.”

“Dad calls the G&G an armpit,” Marigold offers dryly.

“Not helping,” I snap, catching her eyes in the rearview mirror.

A beat passes in awkward silence.

“Marina, you can say no,” I tell her again. “But humor me first? Let’s check the place out and hear what he has to say. Okay?”

She fiddles with her lap sweater again. “It’s tickety-boo. Relax, Grady.”

Marigold snorts behind me.

The dirt and gravel lot crunches beneath the truck’s tires when we arrive at the G&G. The store sits on the outskirts of Seagrove, where the lake turns into swamps before disappearing into rural farms. It takes four turns and about six miles from the main highway to reach it—it’s not an easy pitstop for anyone except those who live around here.

But those who live here generally don’t stop into the G&G unless they’re residents of The Marshes trailer park to the right and up a gravel hill. For them, it’s the only thing within walking distance.

I park beside the building. Marina slides from the truck before I get a chance to come around and open the door for her.

She doesn’t need your help, Grady.

With a slow circle, she scans the area: the three ancient gas tanks, the rickety overhang, and the Pepsi-Cola sign advertising the store’s name. Welcome to the G&G. The cracked plastic has chipped away at the W, and the colors have faded over the years. I wonder if it still lights up.

Probably not.

Wade hasn’t repaired or improved this place in a decade.

“What does G&G stand for?” she asks when I take her side.

“Grab and Go.”

She chuckles. “That’s not what I heard.”

I huff. Grubby and Gross is the most popular variation when people talk about the G&G. Not that they do anymore.

“Shall we?” I motion to the storefront.

“What about Marigold?”

“She’ll wait in the car. Sensory overload. I’m surprised she wanted to go inside your place.”

“Well, I lured her with cats,” she smiles. “Who can resist?”

“Who, indeed?” I smirk, meeting her eyes again.

I lean into the open window of the truck. “Please, don’t wander.”

“Tickety-boo,” Marigold answers, not looking up from her sketchbook.

The long porch that stretches the length of the building feels narrow with all the junk lining the corridor. Crab traps, barrels, pallets, empty boxes, water jugs, antique Coke and milk crates—it’s like a junkyard vomited out here. She peers inside the picture windows, which are too dingy and cluttered to see through.

“It needs work,” I say, regretting this already.