The first photo shows two middle-aged women. Both are beefy and broad-shouldered in their red nylon Home Helpers uniforms, but one of them—Georgina Ross, Hodges presumes—is crying and gripping her shoulders so that her forearms press against her breasts. The other one, Yvonne Carstairs, is apparently made of sterner stuff.

“They got here at five forty-five,” Izzy says. “They have a key to let themselves in, so they don’t have to knock or ring. Sometimes Martine slept until six thirty, Carstairs says. Mrs. Ellerton is always up, gets up around five, she told them, had to have her coffee first thing, only this morning she’s not up and there’s no smell of coffee. So they think the old lady overslept for once, good for her. They tiptoe into Stover’s bedroom, right down the hall, to see if she’s awake yet. This is what they find.”

Izzy swipes to the next picture. Hodges waits for another oough from Holly, but she is silent and studying the photo closely. Stover is in bed with the covers pulled down to her knees. The damage to her face was never repaired, but what remains looks peaceful enough. Her eyes are closed and her twisted hands are clasped together. A feeding tube juts from her scrawny abdomen. Her wheelchair—which to Hodges looks more like an astronaut’s space capsule—stands nearby.

“In Stover’s bedroom there was a smell. Not coffee, though. Booze.”

Izzy swipes. Here is a close-up of Stover’s bedside table. There are neat rows of pills. There’s a grinder to turn them to powder, so that Stover could ingest them. Standing among them and looking wildly out of place is a fifth of Smirnoff Triple Distilled vodka and a plastic syringe. The vodka bottle is empty.

“The lady was taking zero chances,” Pete says. “Smirnoff Triple Distilled is a hundred and fifty proof.”

“I imagine she wanted it to be as quick for her daughter as possible,” Holly says.

“Good call,” Izzy says, but with a notable lack of warmth. She doesn’t care for Holly, and Holly doesn’t care for her. Hodges is aware of this but has no idea why. And since they rarely see Isabelle, he’s never bothered to ask Holly about it.

“Have you got a close-up of the grinder?” Holly asks.

“Of course.” Izzy swipes, and in the next photo, the pill grinder looks as big as a flying saucer. A dusting of white powder remains in the cup. “We won’t be sure until later this week, but we think it’s oxycodone. Her scrip was refilled just three weeks ago, according to the label, but that bottle is as empty as the vodka bottle.”

She goes back to Martine Stover, eyes closed, scrawny hands clasped as if in prayer.

“Her mother ground up the pills, funneled them into the bottle, and poured the vodka down Martine’s feeding tube. Probably more efficient than lethal injection.”

Izzy swipes again. This time Holly does say “Oough,” but she doesn’t look away.

The first photo of Martine’s handicap-equipped bathroom is a wide shot, showing the extra-low counter with its basin, the extra-low towel racks and cabinets, the jumbo shower-tub combination. The slider in front of the shower is closed, the tub in full view. Janice Ellerton reclines in water up to her shoulders, wearing a pink nightgown. Hodges guesses it would have ballooned around her as she lowered herself in, but in this crime scene photo it clings to her thin body. There is a plastic bag over her head, secured by the kind of terrycloth belt that goes with a bathrobe. A length of tubing snakes from beneath it, attached to a small canister lying on the tile floor. On the side of the canister is a decal that shows laughing children.