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Chapters (19)
  1. Cover
  2. Also by Leila Aboulela
  3. Leila Aboulela
  4. Copyright
  5. Summer Maze
  6. Something Old, Something New
  7. Farida’s Eyes
  8. Souvenirs
  9. The Ostrich
  10. Majed
  11. The Boy from the Kebab Shop
  12. Expecting to Give
  13. The Aromatherapist’s Husband
  14. Coloured Lights
  15. The Museum
  16. The Circle Line
  17. Pages of Fruit
  18. Acknowledgements
  19. Back Cover

I had forgotten how small the flat was, how thin the walls were. Student accommodation. The cleanliness comes as a surprise, this clean land free of dust and insects. Everywhere carpet and everything compact; like boxes inside boxes, the houses stuck together defensively. September and it is already winter, already cold. The window, how many hours did I spend looking out of this window? For two years I looked out at strangers, unable to make stories about them, unable to tell who was rich and who was poor, who mended pipes and who healed the ill. And sometimes, disturbingly, not even knowing who was a man and who was a woman. Strangers I must respect, strangers who were better than me. This is what Majdy says. Every one of them is better than us. See the man who is collecting the rubbish; he is not ravaged by malaria, anaemia, bilharzia; he can read the newspaper, write a letter; he has a television in his house and his children go to a school where they get taught from glossy books. And if they are clever, if they show a talent in music or science, they will be encouraged and they might be important people one day. I look at the man who collects the rubbish and I am ashamed that he picks bags with our filth in them. When I pass him on the road, I avert my eyes.

And now that I am back, the room rises up to strangle me. The window beckons and it is already dark outside. I was wrong to return. All the laughter and confidence has been left behind. What am I doing here? A stranger suddenly appearing on the stage with no part to play, no lines to read. Majdy points out the graffiti for me, ‘Black Bastards’ on the wall of the mosque, ‘Paki go home’ on the newsagent’s door. ‘Do you know what it means, who wrote it?’ I breed a new fear of not knowing, never knowing who these enemies are. How would I recognise them while they can so easily recognise me? The woman who sells me stamps (she is old, I must respect her age), the librarian who could not spell my name while the queue behind me grew (I will be reading her books for free), or the bus driver I angered by not giving him the correct change (it’s my fault, I must obey the sign on the door). Which one of them agrees with what’s written on the walls?