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Chapters (19)
  1. Cover
  2. Also by Leila Aboulela
  3. Leila Aboulela
  4. Copyright
  5. Summer Maze
  6. Something Old, Something New
  7. Farida’s Eyes
  8. Souvenirs
  9. The Ostrich
  10. Majed
  11. The Boy from the Kebab Shop
  12. Expecting to Give
  13. The Aromatherapist’s Husband
  14. Coloured Lights
  15. The Museum
  16. The Circle Line
  17. Pages of Fruit
  18. Acknowledgements
  19. Back Cover

There was no entry fee to the museum, no attendant handing out tickets. Bryan and Shadia walked on soft carpets, thick blue carpets that made Shadia want to take off her shoes. The first thing they saw was a Scottish man from Victorian times. He sat on a chair surrounded with possessions from Africa, over-flowing trunks, an ancient map strewn on the floor of the glass cabinet. All the light in the room came from this and other glass cabinets, gleamed on the wax. Shadia turned away; there was an ugliness in the life-like wispiness of his hair, his determined expression, the way he sat. A hero who had gone away and come back, laden with looted treasures, ready to report.

Bryan began to conscientiously study every display cabinet, read the posters on the wall. She followed him around and thought that he was studious, careful and studious, that was why he did so well in his degree. She watched the intent expression on his face as he looked at everything. For her the posters were an effort to read, the information difficult to take in. It had been so long since she had read anything outside the requirements of the course. But she persevered, saying the words to herself, moving her lips … During the eighteenth and nineteenth centuries, north-east Scotland made a disproportionate impact on the world at large by contributing so many skilled and committed individuals … In serving an empire they gave and received, changed others and were themselves changed and often returned home with tangible reminders of their experiences.

The tangible reminders were there to see, preserved in spite of the years. Her eyes skimmed over the objects, disconnected from place and time. Iron and copper, little statues. Nothing was of her, nothing belonged to her life at home, what she missed. Here was Europe’s vision, the clichés about Africa: cold and old.

She had not expected the dim light and the hushed silence. Apart from Shadia and Bryan, there was only a man with a briefcase and a lady who took down notes. Unless there were others, out of sight on the second floor. Something electrical, the heating or the lights, gave out a humming sound like that of an air-conditioner. It made Shadia feel as if they were in an airplane without windows, detached from the world outside.

‘He looks like you, don’t you think?’ she said to Bryan. They stood in front of a portrait of a soldier who died in the first year of this century. It was the colour of his eyes and his hair. But Bryan did not answer her, did not agree with her. He was preoccupied with reading the caption. When she looked at the portrait again, she saw that she was mistaken. That strength in the eyes, the purpose, was something Bryan didn’t have. They had strong faith in those days long ago.