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Contents ( 5)
  1. Ellis Island
  2. Ellis Island
  3. The Isle of Tears
  4. The Way to Ellis Island
  5. Afterword

But emigration to the United States
began long before Ellis Island
and did not end when it closed down.

Mexicans, Cubans, Koreans,
Vietnamese, and Cambodians have taken up
where the others left off

it was on Wednesday, May 31, 1978,
that Robert Bober and I first visited Ellis Island.
On the same tour were a couple in their
fifties (the wife’s mother, who had recently died,
had passed through Ellis Island)
and a very young woman who carried
in her arms a baby only a few days old

I doubt that anyone visits Ellis Island by chance these days.
People who passed through it have little desire to return —
their children or grandchildren do it for them, looking
for traces of the past. What had been for the others a place
of trials and uncertainties has become for them a place
of recollection, a pivot of the connections that identify
them with their history.

how can things be described?

or talked about?

or looked at?

beyond dry official statistics,
beyond the reassuring drone of stories
that have been told a thousand times
by guides in their Boy Scout hats,
beyond the official display of everyday objects
that have become museum pieces, the stuff of history,
precious vestiges, venerable images,

beyond the artificial calm of these photographs,
fixed forever in their misleading
black-and-white obviousness

how can you identify this place?

how do you reconstruct it?

how do you decipher these relics?

how do you move beyond,

move behind

not rest content with what we’re given to see

not merely see what we knew we would in advance?

How can you grasp what isn’t shown, what wasn’t photographed or catalogued or restored or staged?

How do you get back what was plain, trivial, routine,
what was ordinary and kept happening day after day?

We walked down dozens
and dozens of corridors,
we visited dozens and
dozens of rooms, rooms
of every size, waiting rooms,
offices, dormitories,
laundries, latrines,
storerooms, larders,
each time trying to imagine
what had happened there, what it
had looked like, who had been there
and why — who had gone along
these corridors, or up these stairs,
or had waited on
these benches,
how were the hours spent,
and the days?
how did all these
people manage to eat, wash,
sleep, and dress?
it’s pointless wanting to
make pictures speak,
forcing them to say
what they can’t.

for a start, you can only try
to name things, one
at a time, unemphatically,
listing them, counting them
in the plainest
possible way,
in the most precise
possible way,
doing your best
to leave nothing out.

for example:

a large white porcelain double sink,
with a hand-cranked spin dryer resting in it

four chairs

two ironing boards set on thick cast-iron legs,
one with a rectangular, the other with an oval base;
on one ironing board is an electric iron;
on the other stand the remains of a sleeve-board
covered in striped material like mattress ticking;

three sewing machines, two of which
— a Singer and a White Rotary —
are still intact