Contents ( 61)
- East of Eden
- PART ONE
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- PART TWO
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- PART THREE
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- PART FOUR
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Chapter 51
- Chapter 52
- Chapter 53
- Chapter 54
- Chapter 55
“Maybe you’re right,” said Adam.
“It’s one of the great fallacies, it seems to me,” said Lee, “that time gives much of anything but years and sadness to a man.”
“And memory.”
“Yes, memory. Without that, time would be unarmed against us. What did you want to talk to me about?”
Adam took the letter from his pocket and put it on the table. “I want you to read this, to read it carefully, and then—I want to talk about it.” Lee took out his half-glasses and put them on. He opened the letter under the lamp and read it.
Adam asked, “Well?”
“Is there an opening here for a lawyer?”
“How do you mean? Oh, I see. Are you making a joke?”
“No”, said Lee, “I was not making a joke. In my obscure but courteous Oriental manner I was indicating to you that I would prefer to know your opinion before I offered mine.”
“Are you speaking sharply to me?”
“Yes, I am,” said Lee. “I’ll lay aside my Oriental manner. I’m getting old and cantankerous. I am growing impatient. Haven’t you heard of all Chinese servants that when they get old they remain loyal but they turn mean?”
“I don’t want to hurt your feelings.”
“They aren’t hurt. You want to talk about this letter. Then talk, and I will know from your talk whether I can offer an honest opinion or whether it is better to reassure you in your own.”
“I don’t understand it,” said Adam helplessly.
“Well, you knew your brother. If you don’t understand it, how can I, who never saw him?”
Adam got up and opened the hall door and did not see the shadow that slipped behind it. He went to his room and returned and put a faded brown daguerreotype on the table in front of Lee. “That is my brother Charles,” he said, and he went back to the hall door and closed it.
Lee studied the shiny metal under the lamp, shifting the picture this way and that to overcome the highlights. “It’s a long time ago,” Adam said. “Before I went into the army.”
Lee leaned close to the picture. “It’s hard to make out. But from his expression I wouldn’t say your brother had much humor.”
“He hadn’t any,” said Adam. “He never laughed.”
“Well, that wasn’t exactly what I meant. When I read the terms of your brother’s will it struck me that he might have been a man with a particularly brutal sense of play. Did he like you?”
“I don’t know,” said Adam. “Sometimes I thought he loved me. He tried to kill me once.”
Lee said, “Yes, that’s in his face—both the love and the murder. And the two made a miser of him, and a miser is a frightened man hiding in a fortress of money. Did he know your wife?”
“Yes.”
“Did he love her?”
“He hated her.”
Lee sighed. “It doesn’t really matter. That’s not your problem, is it?”