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Contents ( 61)
  1. East of Eden
  2. PART ONE
  3. Chapter 1
  4. Chapter 2
  5. Chapter 3
  6. Chapter 4
  7. Chapter 5
  8. Chapter 6
  9. Chapter 7
  10. Chapter 8
  11. Chapter 9
  12. Chapter 10
  13. Chapter 11
  14. PART TWO
  15. Chapter 12
  16. Chapter 13
  17. Chapter 14
  18. Chapter 15
  19. Chapter 16
  20. Chapter 17
  21. Chapter 18
  22. Chapter 19
  23. Chapter 20
  24. Chapter 21
  25. Chapter 22
  26. PART THREE
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. PART FOUR
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55

I will tell you about the solemn courts of love in Salinas. They were about the same in other towns, but the Salinas Row has a pertinence to this telling.

You walked west on Main Street until it bent. That’s where Castroville Street crossed Main. Castroville Street is now called Market Street, God knows why. Streets used to be named for the place they aimed at. Thus Castroville Street, if you followed it nine miles, brought you to Castroville, Alisal Street to Alisal, and so forth.

Anyway, when you came to Castroville Street you turned right. Two blocks down, the Southern Pacific tracks cut diagonally across the street on their way south, and a street crossed Castroville Street from east to west. And for the life of me I cannot remember the name of that street. If you turned left on that street and crossed the tracks you were in Chinatown. If you turned right you were on the Row.

It was a black ’dobe street, deep shining mud in winter and hard as rutted iron in summer. In the spring the tall grass grew along its sides—wild oats and mallow weeds and yellow mustard mixed in. In the early morning the sparrows shrieked over the horse manure in the street.

Do you remember hearing that, old men? And do you remember how an easterly breeze brought odors in from Chinatown, roasting pork and punk and black tobacco and yen shi? And do you remember the deep Waiting stroke of the great gong in the Joss House, and how its tone hung in the air so long?

Remember, too, the little houses, unpainted, unrepaired? They seemed very small, and they tried to efface themselves in outside neglect, and the wild overgrown front yards tried to hide them from the street. Remember how the shades were always drawn with little lines of yellow light around their edges? You could hear only a murmur from within. Then the front door would open to admit a country boy, and you’d hear laughter and perhaps the soft sentimental tone of an open-face piano with a piece of toilet chain across the strings, and then the door would close it off again.

Then you might hear horses’ hoofs on the dirt street, and Pet Bulene would drive his hack up in front, and maybe four or five portly men would get out—great men, rich or official, bankers maybe, or the courthouse gang. And Pet would drive around the corner and settle down in his hack to wait for them. Big cats would ripple across the street to disappear in the tall grass.

And then—remember?—the train whistle and the boring light and a freight from King City would go stomping across Castroville Street and into Salinas and you could hear it sighing at the station. Remember?

Every town has its celebrated madams, eternal women to be sentimentalized down the years. There is something very attractive to men about a madam. She combines the brains of a businessman, the toughness of a prize fighter, the warmth of a companion, the humor of a tragedian. Myths collect around her, and, oddly enough, not voluptuous myths. The stories remembered and repeated about a madam cover every field but the bedroom. Remembering, her old customers picture her as a philanthropist, medical authority, bouncer, and poetess of the bodily emotions without being involved with them.