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Contents ( 61)
  1. East of Eden
  2. PART ONE
  3. Chapter 1
  4. Chapter 2
  5. Chapter 3
  6. Chapter 4
  7. Chapter 5
  8. Chapter 6
  9. Chapter 7
  10. Chapter 8
  11. Chapter 9
  12. Chapter 10
  13. Chapter 11
  14. PART TWO
  15. Chapter 12
  16. Chapter 13
  17. Chapter 14
  18. Chapter 15
  19. Chapter 16
  20. Chapter 17
  21. Chapter 18
  22. Chapter 19
  23. Chapter 20
  24. Chapter 21
  25. Chapter 22
  26. PART THREE
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. PART FOUR
  39. Chapter 34
  40. Chapter 35
  41. Chapter 36
  42. Chapter 37
  43. Chapter 38
  44. Chapter 39
  45. Chapter 40
  46. Chapter 41
  47. Chapter 42
  48. Chapter 43
  49. Chapter 44
  50. Chapter 45
  51. Chapter 46
  52. Chapter 47
  53. Chapter 48
  54. Chapter 49
  55. Chapter 50
  56. Chapter 51
  57. Chapter 52
  58. Chapter 53
  59. Chapter 54
  60. Chapter 55

“I’m listening,” said Horace.

“Over across the tracks down by Chinatown there’s a row of whorehouses.”

“I know that.”

“Everybody knows it. If we closed them up they’d just move. The people want those houses. We keep an eye on them so not much bad happens. And the people that run those houses keep in touch with us. I’ve picked up some wanted men from tips I got down there.”

Horace said, “Julius told me—”

“Now wait a minute. Let me get all this said so we won’t have to go back over it. About three months ago a fine-looking woman came in to see me. She wanted to open a house here and wanted to do it right. Came from Sacramento. Ran a place there. She had letters from some pretty important people—straight record—never had any trouble. A pretty damn good citizen.”

“Julius told me. Name of Faye.”

“That’s right. Well, she opened a nice place, quiet, well run. It was about time old Jenny and the Nigger had some competition. They were mad as hell about it, but I told them just what I told you. It’s about time they had some competition.”

“There’s a piano player.”

“Yes, there is. Good one too—blind fella. Say, are you going to let me tell this?”

“I’m sorry,” said Horace.

“That’s all right. I know I’m slow but I’m thorough. Anyways, Faye turned out to be just what she looks like, a good solid citizen. Now there’s one thing a good quiet whorehouse is more scared of than anything else. Take a flighty randy girl runs off from home and goes in a house. Her old man finds her and he begins to shovel up hell. Then the churches get into it, and the women, and pretty soon that whorehouse has got a bad name and we’ve got to close it up. You understand?”

“Yeah!” Horace said softly.

“Now don’t get ahead of me. I hate to tell something you already thought out. Faye sent me a note Sunday night. She’s got a girl and she can’t make much out of her. What puzzles Faye is that this kid looks like a runaway girl except she’s a goddam good whore. She knows all the answers and all the tricks. I went down and looked her over. She told me the usual bull, but I can’t find a thing wrong with her. She’s of age and nobody’s made a complaint.” He spread his hands. “Well, there it is. What do we do about it?”

“You’re pretty sure it’s Mrs. Trask?”

The sheriff said, “Wide-set eyes, yellow hair, and a scar on her forehead, and she came in Sunday afternoon.”

Adam’s weeping face was in Horace’s mind. “God all mighty! Sheriff, you got to get somebody else to tell him. I’ll quit before I do.”

The sheriff gazed into space. “You say he didn’t even know her name, where she came from. She really bullshitted him, didn’t she?”

“The poor bastard,” Horace said. “The poor bastard is in love with her. No, by God, somebody else has got to tell him. I won’t.”