When I came upon the herders and their long house on a flat above the valley, I found six wolf skulls spiked above the main door. In my travels as a minstrel I knew enough that I had no need to ask—this was a tale woven into our kind, after all. No words, either, for the bear skins on the walls, the antelope hides and elk racks. Not a brow lifted for the mound of bhederin bones in the refuse pit, or the vultures killed by the poison-baited meat left for the coyotes.

That night I sang and spun tales for my keep. Songs of heroes and great deeds and they were pleased enough and the beer was passing and the shank stew palatable.

Poets are sembling creatures, capable of shrugging into the skin of man, woman, child and beast. There are some among them secretly marked, sworn to the cults of the wilderness. And that night I shared out my poison and in the morning I left a lifeless house where not a dog remained to cry, and I sat upon a hill with my pipe, summoning once more the wild beasts. I defend their ownership when they cannot, and make no defence against the charge of murder; but temper your horror, friends: there is no universal law that places a greater value upon human life over that of a wild beast. Why would you ever imagine otherwise?

CONFESSIONS OF TWO HUNDRED
TWENTY-THREE COUNTS OF JUSTICE
WELTHAN THE MINSTREL (AKA SINGER MAD)

H

e came to us in the guise of a duke from an outlying border fastness—a place remote enough that none of us even thought to suspect him. And in his manner, his hard countenance and few words, he matched well our lazy preconceptions of such a man. None of us could argue that there was something about him, a kind of self-assurance rarely seen at court. In his eyes, like wolves straining at chains, there was a hint of the feral—the priestesses positively dripped.

‘But, they would find, his was a most potent seed. And it was not Tiste Andii.’

Silchas Ruin poked at the fire with a stick, reawakening flames. Sparks fled up into the dark. Rud watched the warrior’s cadaverous face, the mottled play of orange light that seemed to paint brief moments of life in it.

After a time, Silchas Ruin settled back and resumed. ‘Power was drawn to him like slivers of iron to a lodestone . . . it all seemed so . . . natural. His distant origins invited the notion of neutrality, and one might argue, in hindsight, that Draconus was indeed neutral. He would use any and every Tiste Andii to further his ambitions, and how were we to imagine that, at the very core of his desire, there was love?’