For a time he watched only the shearers. He saw them lug sheep out of the pens by their hind legs and handle them with dexterity so that they became quiescent, voluptuously quiescent almost, lolling back against the shearers’ legs in a ridiculous sitting posture, or suffering their necks to be held between the shearers’ knees while the mechanically-propelled blades, hanging from long arms with flexible joints, rolled away their wool.

‘Is this crutching?’ he asked.

‘That’s it. De-bagging, you might call it.’

Alleyn saw the dirty wool turn back in a wave that was cream inside and watched the quarter-denuded sheep shoved away through the portholes. He saw the broomies, two silent boys, sweep the dirty crutchings up to the sorter and fling them out on his rack. He saw the wool sorted and tossed into bins and finally he followed it to the press.

The press was in a central position, some distance from the shearing-board. It faced the main portion of the shed and actually looked, Alleyn thought, a little like an improvised rostrum. Here Flossie Rubrick was to have stood on the night of her wool-shed party. From here she was to harangue a mob of friends, voters, and fellow-high-countrymen, almost as quiescent as the shorn sheep. Alleyn sharpened his memory until it could encompass the figure of the woman with whom he had spoken for a few minutes. A tiny woman with a clear and insistent voice and an ugly face. A woman who wished to acquire him as a guest and from whom he had escaped with difficulty. He remembered her sharp stare and her rather too-self-confident manner. These recollections remained unchanged by last night’s spate of conflicting impressions and it was the wraith of the persistent little woman he had met whom he now conjured up in the dark end of the wool-shed. Where had she stood? From what direction had her assailant come?

‘She was going to try her voice, you know,’ said Fabian at his elbow.

‘Yes, but from where? The press? It was full of unpressed wool and open, when the men stopped work the previous night. Did she damp down the pressing-lid or whatever it’s called and climb up?’

‘That’s what we’ve always supposed.’

‘Is the new press in exactly the same place?’

‘Yes. Under that red show ticket nailed up on the post.’