Back Devious
Chapters (59)
  1. Books by Lisa Jackson
  2. Title Page
  3. CHAPTER 1
  4. CHAPTER 2
  5. CHAPTER 3
  6. CHAPTER 4
  7. CHAPTER 5
  8. CHAPTER 6
  9. CHAPTER 7
  10. CHAPTER 8
  11. CHAPTER 9
  12. CHAPTER 10
  13. CHAPTER 11
  14. CHAPTER 12
  15. CHAPTER 13
  16. CHAPTER 14
  17. CHAPTER 15
  18. CHAPTER 16
  19. CHAPTER 17
  20. CHAPTER 18
  21. CHAPTER 19
  22. CHAPTER 20
  23. CHAPTER 21
  24. CHAPTER 22
  25. CHAPTER 23
  26. CHAPTER 24
  27. CHAPTER 25
  28. CHAPTER 26
  29. CHAPTER 27
  30. CHAPTER 28
  31. CHAPTER 29
  32. CHAPTER 30
  33. CHAPTER 31
  34. CHAPTER 32
  35. CHAPTER 33
  36. CHAPTER 34
  37. CHAPTER 35
  38. CHAPTER 36
  39. CHAPTER 37
  40. CHAPTER 38
  41. CHAPTER 39
  42. CHAPTER 40
  43. CHAPTER 41
  44. CHAPTER 42
  45. CHAPTER 43
  46. CHAPTER 44
  47. CHAPTER 45
  48. CHAPTER 46
  49. CHAPTER 47
  50. CHAPTER 48
  51. CHAPTER 49
  52. CHAPTER 50
  53. CHAPTER 51
  54. CHAPTER 52
  55. CHAPTER 53
  56. EPILOGUE
  57. ACKNOWLEDGMENTS:
  58. AUTHOR’S NOTE
  59. Copyright Page

With Slade’s hand steadfastly at her back, they moved inside, along with a rush of other guests, through a foyer of mirrors, marble, and potted palms. In the center stood a massive table, upon which an ornate display of tropical flowers—anthuriums, birds-of-paradise, and torch lilies—bloomed in bursts of vibrant color.

A string quartet played soft music at the foot of a grand staircase. Wide steps with a deep floral runner wound upward before splitting to the second floor. With gleaming mahogany rails and white balusters, the staircase was reminiscent of the most beautiful of plantation homes.

In the foyer were black-and-white photographs of St. Elsinore’s, propped up on easels, a veritable history of the buildings, showing how the church, orphanage, and grounds had changed with the years. Hundreds of children and scores of teachers, nuns, and nurses and a few priests were caught in long-ago fragments, tiny instants of time.

So many of the people had passed on, Val thought, eyeing the displays and noting the change of fashion in the children, the addition of electrical and telephone wires in the shots, the growth of trees, the morphing of the vehicles in the street from carriages and wagons to Model Ts, the big boats with fins of the cars of the fifties, then increasingly sleeker vehicles.

In one of the more recent pictures, the 1960s or ’70s, judging from the vintage of the cars, Val caught a glimpse of the spire of the cathedral and an oak tree. A solitary nun, dressed in a dark habit, her sleeves voluminous, was reaching for the hand of a small child.

Val froze, her eyes on the image of the nun’s face, young and unlined, yet still harsh, her dark eyes glinting. In her other hand she held the links of a rosary, a silver cross dangling through her slim fingers.

“What?” Slade asked.

Val’s heart hammered wildly at the sight of the black-and-white photograph.

In her mind’s eye, pictures of her youth flashed in painful, sharp fragments. She remembered entering the stark, glistening hallways of St. Elsinore’s. Losing sight of Baby Camille. Crying at night for her parents. Wishing Mrs. O’Malley would return and save her.

From what?

Val blinked hard and smelled, for just a second, the same scents she had as a child:

Floor wax.

Ammonia.

Pine cleaner.

Fear.

A tremor passed through her.

“Are you all right?” Slade’s voice brought her back to the present just as he was taking hold of the crook of her arm and herding her away from the stark, mind-jarring picture.

“Y-yes,” Val said, though she was lying as she tried desperately to pull herself together, back to this bustling hotel, back to a night in the twenty-first century.