He searched the wall around the niche, looking for some hidden panel that would open to admit him to the tower. He could find none. He tapped the wall with the pommel of his bodkin, thinking to find any kind of hollow or thin place in the wall through which he might break through, but the wall seemed to be made of solid stone, of the same thickness throughout.

It was only after this exhaustive and pointless search that he chose to look at the floor, and noticed an obvious seam in the wood. The crack formed a semicircle five feet in diameter. He was standing within its bound, in fact. He tapped the floor in several places but found it as solid as the wall. Perhaps—yes, perhaps this was a door after all. If somehow the floor could be made to rotate, and the whole wall with it . . . but there must be some trigger, some way of activating the change.

The statue of the Bloodgod, of course.

The Burgrave was known to be a devout of the Lady of Abundance. Sadu was a much older god, one whose worship was not officially forbidden in the Free City but certainly frowned upon. The Bloodgod was the patron deity of the poor and the oppressed, a symbol of ultimate justice and even vindictive revenge. Sadu punished all men alike in the afterlife, and each according to his sins. He was hardly the sort of god a man like the Burgrave would ever want to meet.

The Bloodgod did have eight arms, though, and that leant itself to the obvious purpose of this particular idol.

The bronze statue depicted Sadu in the typical fashion, as he was worshipped in tiny shrines all over the city. The idol had seven arms on the left side of its body, each holding a different weapon: a sword, a falchion, a spear, a trident, a net, a flail, and an arrow. Different images of the Bloodgod always had different weapons in his hands, since Sadu was the master of them all. On the right side he had only one arm, holding an ornate crown, as it always did. Sadu’s face was depicted as that of a snarling demon with massive tusklike teeth and wide, staring eyes. Malden had seen more terrifying versions, though this was a common depiction. Yet as he examined the statue quite carefully he noticed two things that were unique to this image in all his experience.

For one, the eyes were not just open—they had been hollowed out. Two sharp points of metal glinted from within their depths. Malden thought of the needles that sprang from Cutbill’s lock. Perhaps these were the same—or worse, tiny darts that would fly through the air to poison him if they pierced his flesh. And of course this time the poison would be fatal.