Defying Gravity
Cover
About the Author
PENGUIN BOOKS
DEFYING GRAVITY
Roger McGough was born in Liverpool and educated at St Mary’s College and the University of Hull. He has been a writer for many years, and his numerous collections have established him as one of the most distinctive and powerful voices in contemporary poetry. Among his most popular titles are Summer with Monika, Blazing Fruit and Defying Gravity, and, for children, An Imaginary Menagerie, Pillow Talk and Bad, Bad Cats. His recent collections for adults include The Way Things Are and Everyday Eclipses. Many of his books are published by Penguin. He is an international ambassador for poetry and in 1997 was awarded an OBE. Roger McGough now lives in London.
ROGER MCGOUGH
DEFYING GRAVITY
PENGUIN BOOKS
Dedication
The poem ‘Defying Gravity’
is for John Hewson
1
The Railings
You came to watch me playing cricket once.
Quite a few of the fathers did.
At ease, outside the pavilion
they would while away a Saturday afternoon.
Joke with the masters, urge on
their flannelled offspring. But not you.
Fielding deep near the boundary
I saw you through the railings.
You were embarrassed when I waved
and moved out of sight down the road.
When it was my turn to bowl though
I knew you’d still be watching.
Third ball, a wicket, and three more followed.
When we came in at the end of the innings
the other dads applauded and joined us for tea.
Of course, you had gone by then. Later,
you said you’d found yourself there by accident.
Just passing. Spotted me through the railings.
Speech-days ∙ Prize-givings ∙ School-plays
The Twentyfirst ∙ The Wedding ∙ The Christening
You would find yourself there by accident.
Just passing. Spotted me through the railings.
Squaring Up
When I was thirteen and crimping my first quiff
Dad bought me a pair of boxing-gloves
In the hope that I would aspire to the Noble Art.
But I knew my limitations from the start:
Myopia, cowardice and the will to come second.
But I feigned enthusiasm for his sake.
Straight after tea, every night for a week
We would go a few rounds in the yard.
Sleeves rolled-up, collarless and gloveless
He would bob and weave and leave me helpless.
Uppercuts would tap me on the chin
Left hooks muss my hair, haymakers tickle my ear.
Without glasses, only one thing was clear:
The fact that I was hopeless. He had a son
Who couldn’t square up. So we came to blows.
Losing patience, he caught me on the nose.
I bled obligingly. A sop. A sacrifice.
Mum threw in the towel and I quit the ring.
But when the bell goes each birthday I still feel the sting
Not of pain, but of regret. You said sorry
And you were. I didn’t. And I wasn’t.
Snowing Down South
‘It’s snowing down south,’ one girl would say
When another’s petticoat showed beneath the skirt
And, giggling, they would rush off to the Ladies.
Modesty restored, they would return to the floor
And dance demurely, with a poise we could not match
We boys, who stood pretending not to watch.
Then half an hour or so before the Last Waltz
The DJ would put on some rock ’n’ roll
And emboldened with ale, we’d form a ring.
Eyes closed, they’d spin, those girls, skirts swirling high
To reveal… Need I go on? Mid-fifties.
You’ve seen the pictures, heard the songs.
In the spotlight of our lascivious gaze
Fired by the rhythm, our whistles and screeches
Down south, suddenly, everything is peaches.
Spitting Prohibited
When I was a boy (cue Brass Band)
A notice downstairs on every bus and tram
Said: NO SMOKING. SPITTING PROHIBITED.
Then overnight, or so it seemed, things changed.
The second part was painted over
And the sign said simply: NO SMOKING.
Imagine that first morning, when passengers,
Bleary-eyed, looked up and saw,
By omission, an invitation.
Then did everybody, unrestrained,
Leap up, clear their throats and let rip?
Expectorate to their lungs’ content?
Did drip, dribble, spurt and spatter?
Hawk and croak until the windows were steaming
And the passageways awash?
Transport Committee met and unanimously agreed
That every by-law be clearly stated
And the notice then to read:
NO SMOKING. SPITTING PROHIBITED.
PLEASE REFRAIN FROM URINATING AND DEFECATING,
SOLICITING AND IMPORTUNING.
FORNICATION AND BESTIALITY FORBIDDEN.
ARSON, RAPE AND PILLAGE NOT PERMITTED.
(STRICTLY, NO BRASS BANDS.)
How to Become a Sixer
Wait until Akela is out of the room
and the noise level begins to rise.
As soon as you hear returning footsteps
call out in a loud, clear voice:
‘Quiet everybody. We promised to get on
with things in silence. DYB. DYB. DYB. Remember?’
By now the footsteps will have stopped
and the Pack looking to see if you are being serious.
Ignore them, and use the pause
to do something useful, like tying a knot.
Akela will then make stamping noises
and open the door. Everything is shipshape.
Acknowledge the appraising glance
but appear embarrassed, as if you wished
you could bite your tongue off.
Promotion will quickly follow. And disappointment:
Akela in a tent, unfurling his knob.
Dirty Old Bugger. DOB. DOB. DOB.
Maurice
There were no ‘gays’ in those days, only ‘funny’ men.
Enter Mrs Thomas: ‘He’s a bit effeminate
That Maurice. “Funny”, if you ask me.
Bringing his “friend” home on leave
The two of them in bed and her bringing in the tea.
His own mother not knowing. It will end in tears.
What do they call themselves nowadays?
Course, she brought it all on herself. (Queers!
That’s it.) Spoiled from the word go.
Too nesh to play out in the street.
The other boys were rough, and Ho! Ho!
He might be led astray. Him, led astray?
Mind you, it’s none of my business
Live and let live, that’s what I say.
Although, to be honest, if I had my way
I’d put the pair of them on show in the zoo.
I mean, what do they see in each other?
I mean, what do they actually, pardon the expression, do?’
Alphabet Soup
Whenever I went into our local library
I would take out a book for my dad.
An adventure yarn. Something to do with the sea.
Occasionally, I’d bring home one he’d read before.
‘Doesn’t matter,’ he would say, ‘it’s a good ’un.’
And settling down, sign on for the same voyage.
It wasn’t laziness on his part, but a kind of fear.
Libraries were for educated people.
Full of traps. Procedures. Forms to fill in.
They would notice his handwriting wasn’t joined up
So then they would try and catch him out.
Ask questions about Shakespeare. About proper books.
Although a stevedore (Mum preferred that to ‘docker’)
And landlubbered all his married life
He’d have passed four-square on seamanship.
Because he’d been to sea himself when young
And would often talk, with some regret,
Of how he’d nearly jumped ship in Fremantle.
He loved the solitude of the bush. Its stillness,
And the sky a blueprint for eternity.
‘And the names of the places. Now that’s poetry!’
I picture ourselves in the outback
The nearest library five hundred miles away
Him, married to a girl from Manjimup
Me, trying to make sense of alphabet soup.
Wearing Thin
‘You’ll soon grow into it,’ she would say
When buying a school blazer three sizes too big.
And she was right as mothers usually are.
Syrup of figs. Virol. Cod liver oil.
Within a year I did grow into it
By then, of course, it was threadbare.
Pulling in different directions
My clothes and I never matched.
And in changing-rooms nothing has changed.
I can buy what I like and when
New clothes that are a perfect fit.
Full-length mirror, nervous grin,
It’s me now that’s threadbare, wearing thin.
Sacrifices
I was forever hearing about the sacrifices
My parents made.
Little ones almost daily
Big ones when required.
Having me meant sacrifices. Going without.
And then to cap it all, the Scholarship:
School uniforms, violin lessons,
Elocution, extra tuition.
‘If it’s not one thing it’s another.
I hope you’re worth it.’ But was I?
The dictionary confirmed my doubts:
‘Sacrifice, a ritual killing of a person
or animal with the intention of pleasing a deity.’
Sacrifice. No, I wasn’t worth it.
All that blood for a few O-levels.
Having My Ears Boxed
I am waiting in the corridor
To have my ears boxed.
I am nervous, for Mr O’Hanlon
Is a beast of his word.
For the last twenty minutes
I have let my imagination
Run away with itself.
But I am too scared to follow.
Will he use that Swiss Army knife
To slice through cleanly? Bite them off?
Tear carefully along perforated lines?
Tug sharply like loose Elastoplasts?
Acknowledging the crowd’s roar
Will he hold my head aloft
As if it were the FA Cup
And pull the handles? Aagghhrr…
And then the box. Cardboard?
Old cigar-box possibly? Or a pair?
Separate coffins of polished pine.
L and R. ‘Gone to a better place.’
Impatient now, I want to get it
Over with. Roll on four o’clock.
When, hands over where-my-ears-used-to-be
I run the gauntlet of jeering kids.
At six, mother arrives home weary
After a hard day at the breadcrumb factory.
I give her the box. She opens it
And screams something. I say:
‘Pardon?’
Hard Times
(i)
Each year, in early December
Grandma would oblige
by falling over
and dislocating something
In hospital, on Christmas Day
all the family would visit
Sit round the bed
and gobble up her dinner.
(ii)
To eke out extra money
during the summer holidays
my schoolfriends and I
would go nit-picking
Conditions were terrible
and the pay was poor
But there were perks:
We were allowed to keep the eggs.
(iii)
If we could have afforded a bath
We would have had the best. A fine one.
Iron. Broad as a bed, deep as the ocean.
Standing on wingèd feet, proud as a lion.
And oh, what coal we would have stored in it.
Nuggets, big as babies’ heads, still blinking
In the daylight. Black as wedding-boots,
So polished you could see your face in them.
And oh, what stories we might have told.
Seated round the hearth on winter nights
The fire crackling, the flames leaping.
Amber liquor sparkling in crystal glasses.
Unfortunately, we were too poor to know stories.
Bath – Avon
I have a problem with Bath.
I use the short a, rhyming it with math,
Whereas southerners put in the r. Barth.
So my living there would be a kind of hell
(Although a lovely place by all accounts).
Never have an operation you cannot spell
Or live in a town you mispronounce.
2
The Darling Buds of Maybe
Get out as early as you can,
And don’t have any kids yourself.
‘Perfick,’ said Old Larkin
The last kid put to bed
He took the Missus in his arms
Gave her a kiss and said:
‘I’ll pop out for a quick one
If that’s all right with you?
I’ll not be long, I promise
’Cos I’ve got work to do.’
‘You mean the roof,’ said Ma,
‘You’re going to mend that leak.’
Philip stopped.
‘No, “This Be The Verse”,’
That final stanza’s too bleak.’
This be Another Verse
They don’t fuck you up, your mum and dad
(Despite what Larkin says)
It’s other grown-ups, other kids
Who, in their various ways
Die. And their dying casts a shadow
Numbering all our days
And we try to keep from going mad
In multifarious ways.
And most of us succeed, thank God,
So if, to coin a phrase
You’re fucked up, don’t blame your mum and dad
(Despite what Larkin says).
Big Ifs
To the mourners round his deathbed
William Blake was moved to say:
‘Oh, if only I had taken
The time to write that play.’
Nor was William Shakespeare
Finally satisfied:
‘I know there’s a novel in me.’
(No sooner said than died.)
Beethoven in his darkest hour
Over and over he railed:
‘If only I had learned guitar
Before my hearing failed.’
In the transept of St Paul’s
Slumped Sir Christopher Wren:
‘I’d give them something really good
If I could only do it again.’
Leonardo, Mozart, Rembrandt
Led sobbing through the Pearly Gates:
‘If only I’d have…
I could have been one of the Greats.’
The Poet Takes an Autumnal Stroll on Hampstead Heath
Light rain, like steam
from a cup of camomile tea
poured from a copper kettle
heated o’er a sandalwood fire
bids him return home
and consider an alternative career.
Creative Writing
Why can’t I teach Creative Writing in Minnesota?
Or, better still, be Poet in Residence at Santa Fe?
Where golden-limbed girls with a full quota
Of perfect teeth lionize me, feed me, lead me astray.
A professorship, perhaps, visiting in Ann Arbor?
(Nothing too strenuous, the occasional social call.)
What postcards I can write, what ambitions I can harbour:
Hawaii in the springtime, Harvard in the fall.
A Critic Reviews the Curate’s Egg
‘It’s all bad.
Especially in parts.’
The Nearest Forty-two
I want to write a new poem.
What words shall I choose?
I go in. The variety is endless.
Images stretch into infinity.
I dither. Can’t make up my mind.
Inspiration becomes impatient.
Stamps its feet. Panicking
I grab the nearest forty-two,
Word Trap
Sometimes they trap me
Stop me in my tracks.
Thinking my way through
Towards a promising idea
When I am distracted
By a sound. A spelling crackles.
Without a second thought
I am off into the thicket.
The next thing I know
It is time for bed.
Another poem finished
And nothing said.
Planet Babel
‘I found I could not use the long line because of my nervous nature.’
– William Carlos Williams
As soon as my voice is heard above the babble
Which ceases as people turn
I want to disappear. Hide under the table.
My pulse races and I consequently gabble.
Puzzled faces make mine burn
And make it crystal clear – I’m from Planet Babel.
Children’s Writer
John in the garden
Playing goodies and baddies
Janet in the bedroom
Playing mummies and daddies
Mummy in the kitchen
Washing and wiping
Daddy in the study
Stereotyping
Joinedupwriting
From the first
tentative scratch on the wall
To the final
unfinished, hurried scrawl:
One poem.
It’s Only a P…
Feeling a trifle smug after breaking off an untidy,
Drawn-out affair with somebody I no longer fancied
I was strolling through Kensington Gardens
When who should I bump into but Gavin.
Gavin, I should point out, is the husband.
‘I’m worried about Lucy,’ he said, straight out.
‘I don’t blame you,’ I thought, but said nothing.
‘Suspect she’s having an affair. Any ideas?’
‘Divorce,’ I suggested. ‘You might even get custody.’
‘No, I mean Lucy,’ he persisted. ‘Who with?’
We walked on in silence, until casually, I asked:
‘An affair, you say, what makes you so convinced?’
He stopped and produced from an inside pocket
A sheet of paper which I recognized at once.
It was this poem. Handwritten, an early draft.
Then I saw the gun. ‘For God’s sake, Gavin,
It’s only a p…
It’s Only a P… Part Two
A shot rang out. The bullet was not intended for me.
It embedded itself harmlessly into a tall sycamore.
(Harmlessly, that is, except for the tall sycamore.)
Gavin pocketed the gun. I was shaking like a leaf.
I seized his arm. ‘It’s over now,’ I stammered
‘There was nothing in it really. A moment of madness.’
I was lying and wondered if he could tell.
He gave no sign, so relaxing my grip we walked on.
‘You’d better have this,’ he said, and held out the poem.
‘But I’d rather you didn’t publish. Spare my blushes.’
I took it. ‘If not for me for Lucy’s sake.’
‘Trust me,’ I said and crumpled it into a ball.
Behind us, the sycamore rose swaying from the bushes,
Staggered across the ornamental lake
And collapsed against a wall.
Awful Acrobats
Poets make awful acrobats.
Good at barely moving
Idle musing has impaired
Their sense of balance.
Once the horizon tilts
Everything begins to slide:
Cups and saucers, trees,
Buildings, spirit-levels.
Out of touch with the ground
They are out of touch with themselves.
Struggling to make sense of air
They become entangled with it.
The roll of drums:
A few floppy cartwheels
A crumpled somersault
Then up on to the high wire…
After the first falter, the fall.
It is faultless. The safety-net
Holds out its arms. The poet
misses.
(Gravity hangs its head in shame.)
Poets have a way with language
A certain jauntiness with hats
They can make a decent curry
And are very fond of cats
Though some are closet fascists
In the main they’re democrats
But all things being considered
Poets make awful acrobats.
3
The City of London Tour
‘Along Leadladen Street
Into Snarl-up Close
Through Crosspatch
Into Coronary Circus
Past Foulmouth Gardens
Into Fetid Lane
Along Profligate
To the station at Charnel House
Up Dirtneedle Street
Into Destitute Square
Down Pacemaker Passage
(Nearly there)
A quick one in the “Half Lung”
(Leave your gasmask at the door)
Which concludes, ladies and gents,
The City of London Tour.’
Five-car Family
We’re a five-car family
We got what it takes
Eight thousand cc
Four different makes
One each for the kids
I run two
One for the missus
When there’s shopping to do
Cars are Japanese of course
Subaru and Mazda
And the Nissan that the missus takes
Nippin down to Asda
We’re a load of noisy parkers
We never do it neat
Drive the neighbours crazy
When we take up half the street
Unleaded petrol?
That’s gotta be a joke
Stepping on the gas we like
The smoke to make you choke
Carbon monoxide
Take a deep breath
Benzine dioxide
Automanic death
’Cos it’s all about noise
And it’s all about speed
And it’s all about power
And it’s all about greed
And it’s all about fantasy
And it’s all about dash
And it’s all about machismo
And it’s all about cash
And it’s all about blood
And it’s all about gore
And it’s all about oil
And it’s all about war
And it’s all about money
And it’s all about spend
And it’s all about time
That it came to an end.
Stinging in the Rain
| Stinging in the rain | I’m |
| Stinging in the rain | My |
| Skin is peeling | I’m |
| Stinging in the rain | I |
| Don’t like the feeling | I |
| Can’t stand the pain | It’s |
| Burning my flesh | And |
| Boiling my brain | The |
| Buildings are melting | I |
| Can’t take the strain | There’s |
| Blood on the sidewalk | I’m |
| Going insane | I’m |
| Crying and frying | And |
| Dying in vain | I’m |
| Stinging just stinging | |
| In the stinking acid | |
| (What a glorious feeling)… |
Curse
Cyanide in the forest
Dead fish in the sea
A loaded gun
Where the sun should be
May those who sold us
Down the river
As polluted
As the lies they told
Find their banknotes
Carcinogenic
Nuclear active
Their gold.
Repelled by Metal
I don’t drive, I’m afraid.
Never had the inclination or the need.
Being antimagnetic, I am repelled by metal
And unimpressed by speed.
Nor am I being ‘holier than thou’.
Thou art a godsend to be candid
You with the car and the welcoming smile
Without your lift I’d be stranded.
And it’s not that I dislike cars
Though noisy and dangerous I dare say
Money-eaters and poison-excreters, okay
But I don’t dislike cars, per se.
It’s just that I know my limitations.
I’d be all thumbs behind a wheel.
Don’t laugh. Could you park a poem
In a space this small? Well, that’s how I feel.
Neighbourhood Watch
It’s a sin
It’s a crime
Now we can’t tell the time
Our neighbourhood watch
Has been stolen!
Poem against Capital Punishment
I live in the Capital
and it’s punishment.
Fired with Enthusiasm
This morning
the boss
came into work
bursting
with enthusiasm
and fired everybody
Shavings Account
‘Not to put too fine a point on it,’
Said the Bank Manager, pushing my finger
Into the desk-top pencil-sharpener,
‘But you have a larger overdraft
Than I had given you credit for.’
He turned the handle. Turned the screw.
‘Sorry, there’s nothing we can do.
Business is business, we need our pound of flesh.
Next finger please. Put it in and… PUSH…’
Another Mid-life Crisis
3 a.m. Feeling like death
and wanting to end it all
I reach for the aspirin bottle.
Will there be enough?
One by one I count them out. 72?
Need more to be on the safe side.
Rummaging around I add another 30.
That should do it.
Take the first two with a glass of water.
Feel better. Go back to bed. Fall asleep.
Early Morning Poems
(i)
Got up
did my toilet:
Washed
Shaved
Combed hair
My toilet looks much nicer now.
(ii)
Got up
Had shave
Did Times crossword
Had another shave.
Rocker-by
Hush-a-bye, Daddy, don’t you cry
Baby will sing a lullaby
Your duck’s arse
is thinning and grey
Your Elvis tattoo
is wearing away
Your bootlace ties
hang limp and frayed
Your 78s
are overplayed
Not rock ’n’ roll
but aches ’n’ pains
Drainies play hell
with varicose veins
Your blue-suede shoes
now have lead in them
Drunk each night
you go to bed in them
When the music stops
You’ll be dead in them
Shush, old man, your day is done
Where mine has only just begun
Used to Drink
Used to drink Pernod
Till my insides, an inferno
Said ‘No’
Schooners of sherry
Soon as merry
Sick, very
So I drank rum
Yo ho ho as they come
Sore bum
What’s nice is
Gin with lemon slices
Made me grin. Did me in
Turned to lager (Special Brew)
Went gaga
So will you
Downed tequila
Soon down at heel, ah
It’s a killer
Odd dram of malt
Gave the old liver a jolt
Called a halt.
Mineral water
Herb tea
Beers (alcohol-free)
Cheers! I deserve a pat on the back…
(Next year maybe give up cocaine and smack.)
Where It’s At
I’m in the Health Club
I’m where it’s at
Twenty minutes on the mat
Light circuit-training
Gentle jog if not raining
Sauna, jacuzzi
Sit by Suzi
I’m in the Wine Bar
I’m where it’s at
Vino tinto into that
Pig out on tapas
Choose momento, make a pass
Scusi scusi
Chat up Suzi
I’m in the Porsche
I’m where it’s at
Rocks off in Docklands’ flat
Ecstasy, share a smoke
His ’n’ hers, two lines of coke
CD something bluesy
Hold tight Suzi
I’m in prison
I’m where it’s at
Didn’t see the Passat. Splat!
Banged up on Isle of Wight
With terrorist and transvestite
Can’t be choosy
Bye bye Suzi.
Fart
He was lyin there, so I… er
Stabbed him. Just the once.
In the stomach. Crashed out
on the sofa he was. After the pub.
He wasn’t asleep. Some nights
he’d pass out but most nights he’d pretend.
The Story Continues on BooksBarbecue!
Enjoyed this preview? ❤️ Do not stop here!
Read the complete book free online → 🔗
Continue reading now on BooksBarbecue and discover every page!
Love reading? Bookmark BooksBarbecue.com for more amazing books!
Happy Reading!