Back Decked
Chapters (68)
  1. PROLOGUE
  2. Chapter 1
  3. Chapter 2
  4. Chapter 3
  5. Chapter 4
  6. Chapter 5
  7. Chapter 6
  8. Chapter 7
  9. Chapter 8
  10. Chapter 9
  11. Chapter 10
  12. Chapter 11
  13. Chapter 12
  14. Chapter 13
  15. Chapter 14
  16. Chapter 15
  17. Chapter 16
  18. Chapter 17
  19. Chapter 18
  20. Chapter 19
  21. Chapter 20
  22. Chapter 21
  23. Chapter 22
  24. Chapter 23
  25. Chapter 24
  26. Chapter 25
  27. Chapter 26
  28. Chapter 27
  29. Chapter 28
  30. Chapter 29
  31. Chapter 30
  32. Chapter 31
  33. Chapter 32
  34. Chapter 33
  35. Chapter 34
  36. Chapter 35
  37. Chapter 36
  38. Chapter 37
  39. Chapter 38
  40. Chapter 39
  41. Chapter 40
  42. Chapter 41
  43. Chapter 42
  44. Chapter 43
  45. Chapter 44
  46. Chapter 45
  47. Chapter 46
  48. Chapter 47
  49. Chapter 48
  50. Chapter 49
  51. Chapter 50
  52. Chapter 51
  53. Chapter 52
  54. Chapter 53
  55. Chapter 54
  56. Chapter 55
  57. Chapter 56
  58. Chapter 57
  59. Chapter 58
  60. Chapter 59
  61. Chapter 60
  62. Chapter 61
  63. Chapter 62
  64. Chapter 63
  65. Chapter 64
  66. Chapter 65
  67. Chapter 66
  68. About the Author

“You never burst in, Nigel,” Crane told him, “you come without phoning because you’re dealing with something that can’t be put off.” He leaned back in his wide leather chair and folded his long sinewy hands. “As my American students would say, ‘What’s up?’”

Livingston decided to get to the point without preamble. “I want your honest, absolutely confidential opinion of Philip Whitcomb.”

Crane shrugged. “Absolutely confidential?”

“Of course.”

“Then I have to say,” Crane hesitated, “that it’s hard to say. A good, even very good teacher. Knows his subject. Loves it. The man is transformed when he discusses or reads poetry. Almost a visionary aura about him. Too much, for my taste. After all, the poets were mere mortals. I doubt they read their own poetry with all the histrionics Philip manages to contrive. But I do know he’s made students whose idea of poetry was of the ‘Roses are red, Violets are blue’ category begin to understand the concept of what makes a poem a classic. For that I am grateful, and students ought to be so.

“On the other hand, outside the classroom I find him quite dull. Can’t speak without blushing or stuttering, all wrapped up in his flower garden . . .I’m sure he’d rather plant flowers than eat. How he managed to get engaged to be married I’ll never know. I suspect Valerie did all the courting, not the other way around.”

“My impression exactly.” Livingston weighed his next question, then asked it carefully. “If Philip is so persuasive in class, does he have any problems with students falling in love with him?”

Crane’s face darkened. “Not anymore.” “Not anymore?” Livingston pounced on the words. “What do you mean?”

The headmaster obviously wished he had not been so blunt. “Perhaps I’m being unfair. After all, it was a long time ago. Eleven years, as a matter of fact. Philip was still quite young then, in his early thirties, I should think. A student started following him around like a puppy. He was flattered, I gather, and spent private time with her— something absolutely forbidden. There must be no individual relationships between students and teachers at Saint Polycarp’s. Apparently Philip tired of the girl and started avoiding her. You can imagine how I felt when she burst into my office and announced she was carrying his baby.”