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Deception

Jonathan Kellerman
Chapters (42)
  1. CHAPTER 1
  2. CHAPTER 2
  3. CHAPTER 3
  4. CHAPTER 4
  5. CHAPTER 5
  6. CHAPTER 6
  7. CHAPTER 7
  8. CHAPTER 8
  9. CHAPTER 9
  10. CHAPTER 10
  11. CHAPTER 11
  12. CHAPTER 12
  13. CHAPTER 13
  14. CHAPTER 14
  15. CHAPTER 15
  16. CHAPTER 16
  17. CHAPTER 17
  18. CHAPTER 18
  19. CHAPTER 19
  20. CHAPTER 20
  21. CHAPTER 21
  22. CHAPTER 22
  23. CHAPTER 23
  24. CHAPTER 24
  25. CHAPTER 25
  26. CHAPTER 26
  27. CHAPTER 27
  28. CHAPTER 28
  29. CHAPTER 29
  30. CHAPTER 30
  31. CHAPTER 31
  32. CHAPTER 32
  33. CHAPTER 33
  34. CHAPTER 34
  35. CHAPTER 35
  36. CHAPTER 36
  37. CHAPTER 37
  38. CHAPTER 38
  39. CHAPTER 39
  40. CHAPTER 40
  41. CHAPTER 41
  42. CHAPTER 42

Books by Jonathan Kellerman

FICTION

ALEX DELAWARE NOVELS

Deception (2010) Survival of the Fittest (1997)
Evidence (2009) The Clinic (1997)
Bones (2008) The Web (1996)
Compulsion (2008) Self-Defense (1995)
Obsession (2007) Bad Love (1994)
Gone (2006) Devil's Waltz (1993)
Rage (2005) Private Eyes (1992)
Therapy (2004) Time Bomb (1990)
A Cold Heart (2003) Silent Partner (1989)
The Murder Book (2002) Over the Edge (1987)
Flesh and Blood (2001) Blood Test (1986)
Dr. Death (2000) When the Bough Breaks (1985)
Monster (1999)

OTHER NOVELS

True Detectives (2009)
Capital Crimes (with Faye Kellerman, 2006)
Twisted (2004)
Double Homicide (with Faye Kellerman, 2004)
The Conspiracy Club (2003)
Billy Straight (1998)
The Butcher's Theater (1988)

NONFICTION

With Strings Attached: The Art and Beauty of Vintage Guitars (2008)
Savage Spawn: Reflections on Violent Children (1999)
Helping the Fearful Child (1981)
Psychological Aspects of Childhood Cancer (1980)

FOR CHILDREN, WRITTEN AND ILLUSTRATED

Jonathan Kellerman's ABC of Weird Creatures (1995)
Daddy, Daddy, Can You Touch the Sky? (1994)

To Oscar

CHAPTER 1

CHAPTER
1

The woman had haunted eyes.

Pale, drooping at the outer edges, they stared into the unseen camera with an odd combination of defiance and defeat.

She didn't move. Neither did the camera. The wall behind her was brown-blue, the color of an old bruise. The couch on which she perched was gray. She was a pretty woman, made less so by fear. Her shoulders were bunched high, her neck tendons taut as bridge cables. A black, sleeveless dress showcased soft white arms. Too-blond hair fell limply to her shoulders.

Moments passed. Nothing happened. In another situation I might've cracked wise about it being one of Andy Warhol's old anti-films: interminable, static studies of the Empire State Building, a man sleeping.

When a homicide lieutenant brings you something to watch, you keep your mouth shut.

Milo stood behind me. His black hair and raincoat were rumpled. The coat was cheap, green, wrinkled past the point of salvation. It gave off a not unpleasant vegetative odor. He'd placed a massive breakfast burrito in a take-out box on my desk, hadn't touched it.

When he drops in, he usually beelines for the fridge, empties a quart of something, raids the shelves for bad carbs. This morning, he'd marched to my office, loaded the DVD with a flourish.

"For your consideration."

Blanche, my little French bulldog, sat next to me, uncharacteristically serious. She'd tried her usual smile, had figured out something was different when Milo didn't stoop to pet her.

I rubbed her knobby head. She looked up at me, returned her attention to the monitor.

The woman's lips moved.

Milo said, "Here we go."

More silence on the screen.

"So I lied."

The woman said, "My name is Elise Freeman. I'm a teacher and tutor at Windsor Preparatory Academy in Brentwood." Her voice was throaty. She knotted her fingers, flopped them onto her lap. "I'm making this recording to document sustained abuse I have received at the hands of faculty members at Windsor Preparatory Academy in Brentwood. Which I will hereon refer to as Prep."