Back Death at the Bar
Chapters (24)
  1. Cover Page
  2. Dedication
  3. Cast of Characters
  4. CHAPTER 1The Plume of Feathers
  5. CHAPTER 2Advance by Watchman
  6. CHAPTER 3Further Advance by Watchman
  7. CHAPTER 4The Evening in Question
  8. CHAPTER 5Failure by Mr Legge
  9. CHAPTER 6Inquest
  10. CHAPTER 7Complaint from a Publican
  11. CHAPTER 8Alleyn at Illington
  12. CHAPTER 9Alleyn at the Feathers
  13. CHAPTER 10The Tumbler and the Dart
  14. CHAPTER 11Routine
  15. CHAPTER 12Curious Behaviour of Mr Legge
  16. CHAPTER 13Miss Darragh Stands firm
  17. CHAPTER 14Crime and Mr Legge
  18. CHAPTER 15Love Interest
  19. CHAPTER 16Alleyn Exceeds His Duty
  20. CHAPTER 17Mr Fox Takes Sherry
  21. CHAPTER 18Mr Legge Commits a Misdemeanour
  22. CHAPTER 19The Chief Constable as Watson
  23. CHAPTER 20Conjecture into Fact
  24. About the Publisher

‘Well,’ said Parish, ‘she’s an attractive wench. More “It” to the square inch than most of them. It’s hard to say why. She’s got looks, of course, but not the looks that usually get over that way. Not the voluptuous type. Her—’

‘Shut up,’ said Cubitt violently and added: ‘I’m going to paint your mouth.’

His own was set in an unusually tight line. He worked for a time in silence, stood back, and said abruptly:

‘I don’t really think Will Pomeroy was his objective. He was getting at Legge, and why the devil he should pick on a man he’d never seen in his life until last night is more than I can tell.’

‘I thought he seemed to be sort of probing. Trying to corner Legge in some way.’

Cubitt paused with his knife over the canvas.

‘Yes,’ he said slowly. ‘That’s perfectly true. I thought so too. Trick of the trade perhaps. Counsels curiosity. Almost one expected him to put his foot on the seat of a chair and rest his elbow on his knee. Now I come to think of it, I believe he did hitch his coat up by the lapels.’

‘Characteristic,’ pronounced Parish seriously. He himself had used these touches several times in trial scenes.

Cubitt smiled. ‘But he sounded definitely malicious,’ he added.

‘He’s not malicious,’ said Parish uncomfortably.

‘Oh yes, he is,’ said Cubitt coolly. ‘It’s one of his more interesting qualities. He can be very malicious.’

‘He can be very generous too.’

‘I’m sure he can. I like Luke, you know. He interests me enormously.’

‘Apparently, he likes you,’ said Parish. ‘Apparently.’

‘Hallo!’ Cubitt walked back from his canvas and stood squinting at it. ‘You said that with a wealth of meaning, Seb. What’s in the air? You can rest a minute if you like.’

Parish moved off the boulder where he had been sitting, stretched himself elaborately, and joined Cubitt. He gazed solemnly at his own portrait. It was a large canvas. The figure in the dull red sweater was three-quarter life-size. It was presented as a dark form against the lighter background which was the sea and sky. The sky appeared as a series of paling arches, the sea as a simple plane broken by formalized waves. A glint of sunlight had found the cheek and jawbone on the right side of the face.

‘Marvellous, old boy,’ said Parish. ‘Marvellous!’

Cubitt, who disliked being called ‘old boy,’ grunted.

‘Did you say you’d show it in this year’s Academy?’ asked Parish.

‘I didn’t, Seb, but I will. I’ll stifle my æsthetic conscience, prostitute my undoubted genius, and send your portrait to join the annual assembly of cadavers. Do you prefer “Portrait of an Actor”, “Sebastian Parish, Esq”! or simply “Sebastian Parish”?’

‘I think I would like my name,’ said Parish seriously. ‘Not, I mean, that everybody wouldn’t know—’