I was on the left side of the museum, facing west toward the river. A series of lush gardens rolled across the landscape in front of me. A gray stone path zoomed from the door straight to the gardens before splitting into three separate branches that plunged even deeper into the dark foliage, like a pitchfork stabbing into the shadows. Whitewashed benches and gazebos stood here and there among the manicured beds of roses and pansies, while weeping willows towered over them all, their tendrils kissing the soft petals below. Magnolia and mimosa trees had also been planted in the gardens, right next to sunflowers that drooped under the heavy weight of their own seed-laden heads. Old-fashioned iron streetlights placed along the paths provided a soft golden glow, filtered by the wash of bugs dancing around the globes. Once again, the aroma of honeysuckle saturated the air, although now the scent seemed sickly sweet, as though it were the funeral-home stench of perfumed, floral death.

I didn’t see or hear anyone, but I stayed low, hugged the marble wall, and followed the path of the rhododendrons all the way around to the front corner of the building. It was just as quiet here as it had been in the back, and only the annoying hum of the mosquitoes broke the silence. I started to ease across one of the side lawns so I could slip into the parking lot when a small beep sounded, and a door hissed open to my left. I hunkered back down into the bushes.

Two giants carrying a couple of cardboard boxes each stepped out into the night air, along with Dixon, who was speaking into his walkie-talkie. I’d turned the volume down on the one I’d swiped from the first giant I’d killed so it wouldn’t crackle and give me away at the wrong time, but Dixon wasn’t even trying to be quiet, so I was able to hear his words loud and clear.

“We’re outside. I’m going with Leroy and Keith to load up one of the trucks, then checking on Hannah and Anton down by the bridge.”

“Good.” Clementine’s voice sounded through his walkie-talkie. “Tell Hannah and Anton to make sure the job is done right. I don’t want any mistakes. If the bridge goes too soon, we’re screwed.”

The bridge? What were they doing at the bridge?

“Understood.” Dixon clipped the walkie-talkie back onto his belt, then gestured at the giants. “Well, you heard her. Let’s get going.”

Dixon led the two giants toward the museum’s main entrance. I stayed behind the bushes and followed them. Four large moving trucks were now parked in front of the building. The back of one truck was open, revealing long, skinny tubes and odd shapes covered with thick sheets of bubble wrap—all the art the giants had grabbed so far.