Chapters (40)
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Chapter 39
- Chapter 40
The room was warm, and a good portion of my blood had deserted my brain to work on the Mr Big. After a while I felt myself yielding to the monotony.
My upper lids reached for my lower, and the weight of my head approached the carrying capacity of my neck muscles. I began to nod off.
Then the projector clicked again and I was wide awake.
The screen showed bikers at a police road check. Some straddled Harleys, others had dismounted and were mil ing about. Though al wore the skul and winged helmet of the Hel s Angels, I could read only two bottom rockers. One said Durham, the other Lexington. The words Metro Police were visible on a yel ow van in the background, but the rest of the identifier was blocked by a bearded figure photographing the photographer. At his side, Cherokee Desjardins stared insolently into the lens.
"Where was that taken?" I asked Roy
"South Carolina."
"That's Cherokee Desjardins."
"The big chief spent time down South in the early eighties."
My eyes roved over the pictured group, then came to rest on a bike and rider on the outer edge. His back was turned, his face obscured, but the cycle was visible in ful profile. It looked familiar.
"Who's the guy on the far left?" I asked.
"On the chop job?"
"Yes."
"Don't know."
"I've seen that guy in a couple of old photos," Kuricek offered. "Nothing recent, though. He's ancient history."
"What about the bike?"
"A work of art."
Thanks.
A discussion of Friday's operation fol owed the slides. When the investigators had gone I approached Roy
"Could I borrow that shot of Cherokee Desjardins?"
"Would you prefer a print?"
"Sure."
"Spot something interesting?"
"I just thought the bike looked familiar."
"It's a hummer."
"Yeah."
We went to his office and he pul ed a file from a metal cabinet, then leafed through until he located the picture.
"They sure as hel don't al look like this anymore," he said, handing it to me. "Now some of them wear Versace and own fast-food franchises. Made our job easier when they were drunk and filthy"
"Did you leave another South Carolina print on my desk in the last couple of days?"
"Not I. Is it something I should see?"
"It's like the one you just gave me, but it includes the Osprey girl. I've shown it to Claudel."
"Now that's interesting. I'l be curious to hear what he says."
I thanked him and left, promising to return the print.
When I got to the lab I went directly to Imagerie and added the photo to my compact disc. It was just a hunch, probably a dead end, but I wanted to make a comparison.