Back Deadly Decisions
Chapters (40)
  1. Chapter 1
  2. Chapter 2
  3. Chapter 3
  4. Chapter 4
  5. Chapter 5
  6. Chapter 6
  7. Chapter 7
  8. Chapter 8
  9. Chapter 9
  10. Chapter 10
  11. Chapter 11
  12. Chapter 12
  13. Chapter 13
  14. Chapter 14
  15. Chapter 15
  16. Chapter 16
  17. Chapter 17
  18. Chapter 18
  19. Chapter 19
  20. Chapter 20
  21. Chapter 21
  22. Chapter 22
  23. Chapter 23
  24. Chapter 24
  25. Chapter 25
  26. Chapter 26
  27. Chapter 27
  28. Chapter 28
  29. Chapter 29
  30. Chapter 30
  31. Chapter 31
  32. Chapter 32
  33. Chapter 33
  34. Chapter 34
  35. Chapter 35
  36. Chapter 36
  37. Chapter 37
  38. Chapter 38
  39. Chapter 39
  40. Chapter 40

The room was warm, and a good portion of my blood had deserted my brain to work on the Mr Big. After a while I felt myself yielding to the monotony.

My upper lids reached for my lower, and the weight of my head approached the carrying capacity of my neck muscles. I began to nod off.

Then the projector clicked again and I was wide awake.

The screen showed bikers at a police road check. Some straddled Harleys, others had dismounted and were mil ing about. Though al wore the skul and winged helmet of the Hel s Angels, I could read only two bottom rockers. One said Durham, the other Lexington. The words Metro Police were visible on a yel ow van in the background, but the rest of the identifier was blocked by a bearded figure photographing the photographer. At his side, Cherokee Desjardins stared insolently into the lens.

"Where was that taken?" I asked Roy

"South Carolina."

"That's Cherokee Desjardins."

"The big chief spent time down South in the early eighties."

My eyes roved over the pictured group, then came to rest on a bike and rider on the outer edge. His back was turned, his face obscured, but the cycle was visible in ful profile. It looked familiar.

"Who's the guy on the far left?" I asked.

"On the chop job?"

"Yes."

"Don't know."

"I've seen that guy in a couple of old photos," Kuricek offered. "Nothing recent, though. He's ancient history."

"What about the bike?"

"A work of art."

Thanks.

A discussion of Friday's operation fol owed the slides. When the investigators had gone I approached Roy

"Could I borrow that shot of Cherokee Desjardins?"

"Would you prefer a print?"

"Sure."

"Spot something interesting?"

"I just thought the bike looked familiar."

"It's a hummer."

"Yeah."

We went to his office and he pul ed a file from a metal cabinet, then leafed through until he located the picture.

"They sure as hel don't al look like this anymore," he said, handing it to me. "Now some of them wear Versace and own fast-food franchises. Made our job easier when they were drunk and filthy"

"Did you leave another South Carolina print on my desk in the last couple of days?"

"Not I. Is it something I should see?"

"It's like the one you just gave me, but it includes the Osprey girl. I've shown it to Claudel."

"Now that's interesting. I'l be curious to hear what he says."

I thanked him and left, promising to return the print.

When I got to the lab I went directly to Imagerie and added the photo to my compact disc. It was just a hunch, probably a dead end, but I wanted to make a comparison.