But something had obviously happened to change all that. And it must have happened fast. For her to have a new book out now, she must have written it in a flurry of energy. It was nine months since Lindsay had left. Making a few quick mental calculations, she worked out that Cordelia must have written the first draft in the space of eight weeks at the very most. She never managed to work like that when she was with me, Lindsay thought painfully. Lighting another cigarette, she read on.

With four successful novels, a film script, and three television series under her belt, the 36-year-old writer suffered a crippling failure of imagination. “I was in a state of blind panic,” she revealed. “I felt as if I had used myself up.”

Then a friend told her the moving story of a Black South African woman who had died in police custody after battling to uncover the truth about the death of her lover. The tragic events struck a deep chord in Cordelia, who sat down the following day and wrote Ikhaya Lamaqhawe in a record six weeks.

It’s being hailed as her masterpiece, and although the Booker Prize ceremony is still ten months away, book trade insiders consider Ikhaya Lamaqhawe is certain to be a strong contender. A moving tour de force of controlled emotion, the book has astonished the literary world by its penetrating insights into the life of Black people under apartheid.

Ikhaya Lamaqhawe—which means Home Of the Heroes—tells the story of Alice Nbala, a teacher in a Black township. Her lover, Joseph Bukolo, is a mildly political student who is caught in a spiral of circumstances that leads to his disappearance. When his horribly mutilated body is found, Alice sets out to discover what happened to him. As she slowly realizes that he has been a victim of the security forces, the net begins to close round her too.

Cordelia, who has never visited South Africa, admitted, “I was terrified that I wouldn’t get it right. I was aware of the sensitivities around this issue, and I didn’t want to be seen as another white liberal trying to hijack a subject I knew nothing about from personal experience. But although I haven’t gone through the traumas myself, I could relate very strongly to the emotions and the responses of the characters. I knew a lot about South Africa from reading and talking to Black people who had escaped from the regime, and I drew heavily on what they’d told me.”

News to me, thought Lindsay self-critically. She couldn’t remember Cordelia ever showing more than the general interest expected of a right-on feminist in the whole issue of racial oppression. Had she really known so little about what was going on in her lover’s mind?

With another deep sigh, she read on.