Chapters (32)
- Cover
- Title Page
- Dedication
- Contents
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- E-Book Extras: The Poirots: Essay by Charles Osborne
- The Poirots
- Charles Osborne on Dead Man’s Folly
- About Agatha Christie
- The Agatha Christie Collection
- www.agathachristie.com
- Copyright
- Aboutpublisher
‘They worked out their scheme very carefully. They already knew the date when De Sousa was due at Helmmouth. It coincided with the date fixed for the fête. They arranged their plan so that Marlene should be killed and Lady Stubbs “disappear” in conditions which should throw vague suspicion on De Sousa. Hence the reference to his being a “wicked man” and the accusation: “he kills people.” Lady Stubbs was to disappear permanently (possibly a conveniently unrecognizable body might be identified at some time by Sir George), and a new personality was to take her place. Actually, “Hattie” would merely resume her own Italian personality. All that was needed was for her to double the parts over a period of a little more than twenty-four hours. With the connivance of Sir George, this was easy. On the day I arrived, “Lady Stubbs” was supposed to have remained in her room until just before teatime. Nobody saw her there except Sir George. Actually, she slipped out, took a bus or a train to Exeter, and travelled from Exeter in the company of another girl student (several travel every day this time of year) to whom she confided her story of the friend who had eaten bad veal and ham pie. She arrives at the hostel, books her cubicle, and goes out to “explore.” By tea time, Lady Stubbs is in the drawing-room. After dinner, Lady Stubbs goes early to bed – but Miss Brewis caught a glimpse of her slipping out of the house a short while afterwards. She spends the night in the hostel, but is out early, and is back at Nasse as Lady Stubbs for breakfast. Again she spends a morning in her room with a “headache,” and this time manages to stage an appearance as a “trespasser” rebuffed by Sir George from the window of his wife’s room where he pretends to turn and speak to his wife inside that room. The changes of costume were not difficult – shorts and an open shirt under one of the elaborate dresses that Lady Stubbs was fond of wearing. Heavy white make-up for Lady Stubbs with a big coolie hat to shade her face; a gay peasant scarf, sunburned complexion, and bronze-red curls for the Italian girl. No one would have dreamed that those two were the same woman.