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Chapters (51)
  1. Cover
  2. Dead in Devon
  3. DEDICATION
  4. CONTENTS
  5. AUTHOR’S NOTE
  6. PROLOGUE
  7. CHAPTER ONE
  8. CHAPTER TWO
  9. CHAPTER THREE
  10. CHAPTER FOUR
  11. CHAPTER FIVE
  12. CHAPTER SIX
  13. CHAPTER SEVEN
  14. CHAPTER EIGHT
  15. CHAPTER NINE
  16. CHAPTER TEN
  17. CHAPTER ELEVEN
  18. CHAPTER TWELVE
  19. CHAPTER THIRTEEN
  20. CHAPTER FOURTEEN
  21. CHAPTER FIFTEEN
  22. CHAPTER SIXTEEN
  23. CHAPTER SEVENTEEN
  24. CHAPTER EIGHTEEN
  25. CHAPTER NINETEEN
  26. CHAPTER TWENTY
  27. CHAPTER TWENTY-ONE
  28. CHAPTER TWENTY-TWO
  29. CHAPTER TWENTY-THREE
  30. CHAPTER TWENTY-FOUR
  31. CHAPTER TWENTY-FIVE
  32. CHAPTER TWENTY-SIX
  33. CHAPTER TWENTY-SEVEN
  34. CHAPTER TWENTY-EIGHT
  35. CHAPTER TWENTY-NINE
  36. CHAPTER THIRTY
  37. CHAPTER THIRTY-ONE
  38. CHAPTER THIRTY-TWO
  39. CHAPTER THIRTY-THREE
  40. CHAPTER THIRTY-FOUR
  41. CHAPTER THIRTY-FIVE
  42. CHAPTER THIRTY-SIX
  43. CHAPTER THIRTY-SEVEN
  44. CHAPTER THIRTY-EIGHT
  45. CHAPTER THIRTY-NINE
  46. CHAPTER FORTY
  47. CHAPTER FORTY-ONE
  48. ACKNOWLEDGEMENTS
  49. ABOUT THE AUTHOR
  50. By Stephanie Austin
  51. COPYRIGHT

‘So,’ I said, deliberately breaking eye contact and looking around me, ‘this is your empire.’

‘Allow me to show you around, madam.’

The barn was workmanlike and tidy, the space taken up by an enormous saw bench and stacks of furniture in various stages of restoration. Chisels and files hung in specially fitted racks on the walls and there were plastic bins for wood shavings and sawdust. Rows of tightly fitted tins stood on the shelves and there was a strong smell of resin, beeswax and spirit varnish. There was also an oil painting on an easel, of a barge with red sails on a swelling grey sea, its colours bright and fresh.

‘Is this a genuine Arnold Bishop?’ I asked.

Paul grinned. ‘The very same.’

‘Where’s the Darkolene?’

He pointed to a battered, ancient-looking tin with dribbles of dried, dark-brown varnish down the side. ‘That’s my last one. I’m starting to panic.’

Chaos was allowed to reign in one corner only. Dirty coffee mugs jostled for space on a wooden draining board next to a cracked china sink, with an old kettle, an exploded bag of sugar and half-opened packets of biscuits.

‘I don’t think much of the catering arrangements,’ I told him frankly.

‘What’s up here?’ I climbed a wooden ladder to an old hayloft but there was nothing to see but more furniture.

Back down on ground level, I went through the little wooden door Paul had come through earlier. It took me into a lean-to with a glass skylight in a corrugated metal roof. The concrete floor was shiny with wetness, the powerful hose Paul had been using lying like a huge serpent on the concrete. Beneath the skylight stood a large metal tank, about the size of a builder’s skip. ‘Is this the stripping tank?’ I had to stand on tiptoe to peer in. It was half full of cold, clear liquid.

‘Careful!’ Paul warned me, following me through the door. ‘Don’t get too close.’

‘What’s in it?’

‘Sodium hydroxide,’ he said, stooping to coil up the hose. ‘Caustic soda.’

‘Nasty stuff! Isn’t it bad for old furniture?’ I asked. ‘Doesn’t it ruin the wood?’

He laughed, coiling the hose over a reel mounted on the wall. Its brass nozzle drizzled slightly and he gave a final turn to a large tap on the wall beside it, making sure the water was turned off. Then he came over to join me by the tank. ‘Leave anything in too long and it’ll fall to pieces. It dissolves all the glue in the joints. I heat the tank first, then things don’t have to stay in so long, and it doesn’t damage the wood so much. I never use it for the good stuff.’ He pointed to a pine cupboard lying on its side on the wet concrete. ‘I’ve just taken that out. I was rinsing it off when you called.’