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Chapters (51)
  1. Cover
  2. Dead in Devon
  3. DEDICATION
  4. CONTENTS
  5. AUTHOR’S NOTE
  6. PROLOGUE
  7. CHAPTER ONE
  8. CHAPTER TWO
  9. CHAPTER THREE
  10. CHAPTER FOUR
  11. CHAPTER FIVE
  12. CHAPTER SIX
  13. CHAPTER SEVEN
  14. CHAPTER EIGHT
  15. CHAPTER NINE
  16. CHAPTER TEN
  17. CHAPTER ELEVEN
  18. CHAPTER TWELVE
  19. CHAPTER THIRTEEN
  20. CHAPTER FOURTEEN
  21. CHAPTER FIFTEEN
  22. CHAPTER SIXTEEN
  23. CHAPTER SEVENTEEN
  24. CHAPTER EIGHTEEN
  25. CHAPTER NINETEEN
  26. CHAPTER TWENTY
  27. CHAPTER TWENTY-ONE
  28. CHAPTER TWENTY-TWO
  29. CHAPTER TWENTY-THREE
  30. CHAPTER TWENTY-FOUR
  31. CHAPTER TWENTY-FIVE
  32. CHAPTER TWENTY-SIX
  33. CHAPTER TWENTY-SEVEN
  34. CHAPTER TWENTY-EIGHT
  35. CHAPTER TWENTY-NINE
  36. CHAPTER THIRTY
  37. CHAPTER THIRTY-ONE
  38. CHAPTER THIRTY-TWO
  39. CHAPTER THIRTY-THREE
  40. CHAPTER THIRTY-FOUR
  41. CHAPTER THIRTY-FIVE
  42. CHAPTER THIRTY-SIX
  43. CHAPTER THIRTY-SEVEN
  44. CHAPTER THIRTY-EIGHT
  45. CHAPTER THIRTY-NINE
  46. CHAPTER FORTY
  47. CHAPTER FORTY-ONE
  48. ACKNOWLEDGEMENTS
  49. ABOUT THE AUTHOR
  50. By Stephanie Austin
  51. COPYRIGHT

The problem was that I had no idea what to charge for anything. I’d read history at university, and at one time I could have written you a mean essay on life in the pottery towns in the nineteenth century, but when it came to identifying their products, I admit I was dismally ignorant. I couldn’t tell pottery from porcelain, salt glaze from slipware, bisque or cream ware from a hole in the ground. I couldn’t interpret the cryptic marks on the base of many of the pieces, and unless it was written in plain English, couldn’t tell Clarice Cliff from Bristol or Bow.

Nick was no help at all. When I told him I didn’t know what to charge for anything he just shrugged and told me I would learn. The only person who was of any use was Morris, who’d come around one evening, eyes on stalks, in the hope of adding to his teapot collection. He went through everything with me, reassured me that I didn’t have any priceless treasures in my stock and gave a few rough suggestions about price.

‘Take a good look around the market when you’re there,’ he suggested, ‘see what other people are charging. You know, Juno, I’m sure Nick wouldn’t trust you with this stuff if he was worried about you making a loss, my love. It’s just bric-a-brac, really.’

Among Nick’s stock I had also found a biscuit tin full of old glass brooches, the sort of thing that Maisie wears pinned to her coat on her rare trips out. Many of them had their catches broken or stones missing, and I’d spent hours cleaning them with soapy water, scrubbing them with a soft toothbrush and sticking in loose stones with epoxy glue. When I’d finished, I laid them all out on the kitchen table, on a piece of black velvet, the same piece that Cordelia used to display jewellery in her shop, and was busy pinning them on when I was interrupted by a knock on the living-room door.

It was Adam. ‘Police downstairs for you,’ he told me, his face deadpan.

I thought he was joking. But sure enough, when I followed him down, there were two lady coppers standing on the doorstep.

‘Juno Browne?’ one of them asked me pleasantly. ‘Could we have a word?’

Mystified, I showed them up into the living room, where they sat side by side on the sofa, one skinny and dark, one plump and fair. ‘Would you like tea?’ I asked. ‘I’ve just boiled the kettle.’