Chapters (37)
- Dead Beat
- Dedication:
- Acknowledgments
- 1992–Part One
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Part Two
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- About the Author
Within three minutes of entering Darsett Trades and Labour Club, I knew that not even double rates could compensate me for spending Saturday night there. I don’t know enough about the northern club circuit to know if it’s typical, but if it is, then my heartfelt sympathy goes out to the poor sods who make their living performing there. The building itself was a 1960s concrete box with all the charm of a dead dog. I parked among an assortment of old Cortinas and Datsuns and headed for the brightly lit entrance.
Being a woman, I already had problems on my hands. In their infinite wisdom, working men’s clubs don’t allow women to be members in their own right. Strange women trying to get in alone are a complete no-no. The doorman, face marked with the blue hairline scars of a miner, wasn’t impressed with my story that I was an agent there to see Moira perform, not even when I produced the business card that carefully doesn’t specify what Mortensen and Brannigan are. Eventually, he grudgingly called the club secretary, who finally agreed to let me in, after informing me at great length that I would not be able to purchase alcoholic beverages.
I regretted this rule and the fact that I was driving as soon as I crossed the threshold. The only way to make an evening at Darsett Trades and Labour Club tolerable was to be so pissed I wouldn’t notice it. The bar, on my left, was brightly lit, packed and already blue with smoke. It sounded like a riot was in progress, an impression increased by the rugby scrum at the bar.
I carried on through double doors under a blue neon sign that said Cabaret Room. Like the bar, the room shimmered under the glare of lights and the haze of cigarette smoke. It was crammed with small, round tables, two-thirds of which were occupied with
At the far end of the room was a small stage. A trio of electronic organ, drums and bass were listlessly playing “The Girl From Ipanema.” No one was listening. I looked around intently, trying to pick out Maggie in the crowd. At first, I couldn’t see any woman on her own, but on the second sweep of the room, I spotted her.