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Chapters (117)
  1. DAWN OF DRAGONS
  2. Table of Contents
  3. BOOK ONE: REQUIEM'S SONG
  4. LAIRA
  5. RAEM
  6. LAIRA
  7. JEID
  8. RAEM
  9. TANIN
  10. ISSARI
  11. LAIRA
  12. MAEV
  13. ANGEL
  14. JEID
  15. LAIRA
  16. SENA
  17. ISSARI
  18. JEID
  19. LAIRA
  20. ANGEL
  21. TANIN
  22. ISSARI
  23. LAIRA
  24. ISSARI
  25. TANIN
  26. LAIRA
  27. RAEM
  28. TANIN
  29. LAIRA
  30. TANIN
  31. ISSARI
  32. LAIRA
  33. JEID
  34. LAIRA
  35. JEID
  36. MAEV
  37. LAIRA
  38. SENA
  39. JEID
  40. ISSARI
  41. RAEM
  42. BOOK TWO: REQUEIM'S HOPE
  43. ISSARI
  44. LAIRA
  45. DORVIN
  46. RAEM
  47. LAIRA
  48. JEID
  49. MAEV
  50. TANIN
  51. LAIRA
  52. TANIN
  53. DORVIN
  54. ISSARI
  55. RAEM
  56. LAIRA
  57. MAEV
  58. JEID
  59. ISSARI
  60. RAEM
  61. LAIRA
  62. ALINA
  63. ISSARI
  64. DORVIN
  65. JEID
  66. LAIRA
  67. ISSARI
  68. RAEM
  69. MAEV
  70. ISSARI
  71. ALINA
  72. LAIRA
  73. RAEM
  74. LAIRA
  75. JEID
  76. BOOK THREE: REQUEIM'S PRAYER
  77. SLYN
  78. JEID
  79. ISSARI
  80. LAIRA
  81. TANIN
  82. JEID
  83. RAEM
  84. LAIRA
  85. JEID
  86. ISSARI
  87. JEID
  88. SLYN
  89. LAIRA
  90. ISSARI
  91. JEID
  92. TANIN
  93. ISSARI
  94. LAIRA
  95. JEID
  96. BRYN
  97. JEID
  98. BRYN
  99. ISSARI
  100. JEID
  101. TANIN
  102. LAIRA
  103. JEID
  104. LAIRA
  105. JEID
  106. RAEM
  107. ISSARI
  108. JEID
  109. DORVIN
  110. ISSARI
  111. LAIRA
  112. JEID
  113. LAIRA
  114. LACRIMOSA
  115. AFTERWORD
  116. NOVELS BY DANIEL ARENSON
  117. KEEP IN TOUCH

The children of Eteer, exiled from their home upon the coast, wailed under the whips of their Gosharian masters. Clad in rags, their backs striped, the slaves climbed the mountainside, some moving across scaffolding, others clinging to the bare rock. Their picks and chisels worked at the stone, forming the shape of a great statue five hundred feet tall—the goddess Shahazar, her breasts bare, her navel shining with jewels, her head that of a serpent.

At the feet of the statue, more Eteerian slaves toiled. They were digging a tunnel between the statue's feet, raising columns to flank it, and carving a great staircase that led from the desert to the entrance. This was more than a statue, Issari realized; the granite Shahazar was guarding a temple being dug into the mountain.

All across the work site, the Gosharian masters patrolled. They whipped Eteerians, laughing as they bloodied the slaves. One old woman collapsed, spilling the basket of rocks she carried. The masters kicked her and snickered as she wailed. A child pleaded for mercy; the masters beat him, lashing his chest, his arms, his face. The cries of Eteer rolled across the mountainside, cries of agony and of hope.

"Issari! Issari! The white dragon rises!"

"You cry to me," Issari whispered, gliding above. "And I hear your cry, Eteer."

Tanin flew up to glide at her side. "What's the plan?"

She gave him a wry smile. "To show Goshar the might of dragons."

And then fly home, she thought. To Requiem. To Laira. Her eyes stung, for she missed her family, and she missed her home in the north, but she would not abandon the children of Eteer, not while blood still pumped in her veins and her wings still found her sky.

Across the mountainside, the Gosharian masters shouted and pointed at the approaching dragons. Some fired arrows. Others fled. Issari and Tanin glided closer.

"The overseer is there." Issari pointed a claw. "He stands upon the head of the statue."

Tanin nodded. "Right. We burn him, then get everyone out."

Issari shook her head, scales clattering. "We speak to him. We will speak reason. We might not need to burn anyone; enough have died today."

She cringed inwardly to remember those guards she had burned in the palace. She felt no guilt for slaying the obese abina, but what of his men? Had the palace guards truly held her any animosity? And yet she had shifted into a dragon, and she had burned them dead, as Tanin had burned soldiers upon the walls outside his prison. Issari liked to think of herself as a creature of starlight, pure and good, yet perhaps she was more a creature of fire and blood. Perhaps dragons were creatures both noble and terrible, and for the first time, Issari thought she understood why so many feared the children of Requiem.