His appearance had changed . . . no, he had transformed himself. That was the primary lesson DeVane had learned: Transformation was necessary for those born outside the fortresses of power to succeed. The faceless unknown must fit themselves to suits that would let them belong.

The suit DeVane had worn as he strode toward the brownstone on Manhattan’s Upper East Side was tailored and padded black wool crepe, his shirt woven gray cotton, his silk hand-knit necktie smartly knotted and dimpled. He had walked in his oxfords just once before to give their leather the suppleness of light wear, then polished them to a soft, rich gleam. Strapped casually over his shoulder was a Coach Hudson briefcase.

DeVane had obtained the expensive clothes and briefcase with money from items stolen and fenced in another city. His hands had become skilled at using the lock pick and shim, at gaining furtive entrance to unoccupied homes. The tower had pointed DeVane’s way toward an understanding that his sense of entitlement was a dead skin to be shed . . . and had eventually led him to appreciate that merit did not open doors, but only gave one a chance at staying in the room. He had realized, too, that there was always more than a single door, a single room. For the faceless unknown, cunning and deception were the true keys to the kingdom.

Hocus pocus.

Pausing in front of the nineteenth-century town house, DeVane had noted its every feature with an obsessive attention to detail. A low wrought-iron fence stood between the small flagstone court and sidewalk. A spindling bamboo plant, striped green and yellow, grew from a concrete bed by the front steps. The leaded casement windows had black-barred gates and interior shutters. The door was dark paneled wood with a heavy horseshoe knocker, brass knob, and a pear-shaped light fixture above it. On the jamb, an intercom. There were ornate floral designs on the projecting cornices.

DeVane had looked up at the light fixture amid the busy brush and bump of sidewalk foot traffic and recalled seeing its photograph in a guide to ornamental antiques written by the homeowner. Her name was Melissa Phillips, and she had authored numerous magazine articles and three books on related subjects. Her most recent book had appeared a decade earlier, shortly before the passing of her husband, an executive editor at a famed and venerable publishing house who had been much older than she.