The owner of the yacht had an appreciation for fables, relishing the age-old stories for their grand scope, color, and subtext. He had much the same fondness for word-play. Constrained in manner, offering a dispassionate face to the world, he was a man who privately enjoyed the artful lark, the inside jest, the nuanced turn of phrase.

Etymologically, Chimera is the word root of chimerical , an adjective that can be used to describe something—or someone—of a nature that is deceptive and slippery to the mind.

In ichthyology, Chimera is a genus of fish, distantly related to the shark, that has existed in the world’s oceans for four hundred million years—a phenomenal triumph of survival attributed to its swimming at great, lightless depths beyond the safe reach of those who would hunt and trap it.

In genetic science, a chimera is defined as an organism spawned of two or more genetically distinct species. Chimeral plants are propagated by horticulturists and fancied by collectors. Laboratories have created mixed-species test rodents in vitro. Fueled by calls for artificially grown transplant organs and tissues, recombinant-DNA technologies have produced the means to spawn human-animal chimeras through manipulation of embryonic stem cells. Some have been given European patent approvals.

A man of disparate business interests, the yacht’s owner was the prime, and silent, financial backer for a Luxemburg-based biotech firm that held two species-joining patent claims. It was a minor gamble for him, a diversionary fling, but one that might yield profit over the stretch. And in this adventure, too, he saw subtle shades of meaning. Sometimes in his secret reflections, he would imagine himself the spawn of a paternal pig and mother rhea, a flightless bird of garish plumage. On these instances, he saw the comedy of life to be blacker than clouded midnight and as fiery-sharp as the point of a cauterizing needle.

Now he was a tolerable distance from such thoughts. On the large flying bridge of the Chimera he sat on an elevated mango-colored sofa to one side of the pilot-house, his right leg hung over his left, his thin fingers laced together on his lap, watching the slow slide of sea and shore through a panoramic curve of windows. He was dressed lightly for the torrid heat in a pale blue, short-sleeved, collared shirt; cream trousers; and tan deck shoes. Around his neck was a mariner link necklace with a small pendant charm, both of them hand-tooled out of silver from Bolivia’s cooperative Cerro Rico mines. Another of his quirkish notions, the ornament was a representation of the miner’s god, whose shrine occupied a niche behind the entrance to every dangerous sulfur-stinking shaft—a horned, squatted, vaguely wolfish being with a phallic thrust between its thighs, said to hold the power of life and death over the impoverished, ragtag campesino workers who labored to extract his mineral bounty, placating him with gifts of coca, tobacco, and pure-grain alcohol and honoring him with orgiastic celebrations of vice and excess.