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Chapters (65)
  1. Cover
  2. Books by Stuart Woods
  3. Title Page
  4. Copyright
  5. Chapter 1
  6. Chapter 2
  7. Chapter 3
  8. Chapter 4
  9. Chapter 5
  10. Chapter 6
  11. Chapter 7
  12. Chapter 8
  13. Chapter 9
  14. Chapter 10
  15. Chapter 11
  16. Chapter 12
  17. Chapter 13
  18. Chapter 14
  19. Chapter 15
  20. Chapter 16
  21. Chapter 17
  22. Chapter 18
  23. Chapter 19
  24. Chapter 20
  25. Chapter 21
  26. Chapter 22
  27. Chapter 23
  28. Chapter 24
  29. Chapter 25
  30. Chapter 26
  31. Chapter 27
  32. Chapter 28
  33. Chapter 29
  34. Chapter 30
  35. Chapter 31
  36. Chapter 32
  37. Chapter 33
  38. Chapter 34
  39. Chapter 35
  40. Chapter 36
  41. Chapter 37
  42. Chapter 38
  43. Chapter 39
  44. Chapter 40
  45. Chapter 41
  46. Chapter 42
  47. Chapter 43
  48. Chapter 44
  49. Chapter 45
  50. Chapter 46
  51. Chapter 47
  52. Chapter 48
  53. Chapter 49
  54. Chapter 50
  55. Chapter 51
  56. Chapter 52
  57. Chapter 53
  58. Chapter 54
  59. Chapter 55
  60. Chapter 56
  61. Chapter 57
  62. Chapter 58
  63. Chapter 59
  64. Chapter 60
  65. AUTHOR’S NOTE

“What we’re going to do is a long interview that can be cut up to address different points, as a way of defending myself. I’m also doing another long interview that will address Barbara’s history of murderous conduct, her convictions, her prison sentences, and her changes of identity over the years. Depending on what she has to say in her first interview, we can be on the air immediately by sending TV stations all or part of the two interviews. Also, the publicist, whose name is Hal Henry, wants me to tell you to tell Ann to go ahead and call 60 Minutes. She can tell the executive producer that they can review all the tapes we’re making and use as much or as little as they like, or they can send a correspondent out here to do their own interview, or I’ll go to New York and be interviewed there. I am at their disposal.”

“Sounds like you’re ready for anything,” Stone said. “I’ll talk to Ann at dinner and ask her to phone 60 Minutes first thing in the morning.”

“That’s wonderful, Stone. Thank you, and please thank Ann for me, too. Now I’ve got to go and talk to Susannah—she’s writing a rough draft of what I’m going to say.”

“Ed, my advice, for what it’s worth, is don’t read from a script. You’re used to talking on your feet. Review your points and sell it like a closing argument.”

“That’s good advice, Stone, and I’ll take it.”

“And if you come to New York for interviews, I insist you and Susannah stay with me and, if you like, record interviews there.”

“That sounds perfect. I’ll keep you posted.” Eagle hung up as Ann entered the room. “That was Ed Eagle. He’s hired a publicist named Hal Henry, and he wants you to call your contact at 60 Minutes.” Stone told her about Ed’s plans to record interviews. “Can you call him first thing tomorrow morning?”

Ann looked at her watch. “He’s a late worker, I’ll try him now.” She sat down in the chair next to Stone’s and picked up the phone. Stone went to fix them a drink, and when he came back, she was just hanging up.

Stone handed her a drink. “How’d that go?”

“Amazingly well,” Ann said. “One of his producers has already had a call from a publicist in San Francisco named Hugh Gordon, shopping the piece.”

“Uh-oh.”