Back Cut and Run
Chapters (48)
  1. Title Page
  2. Copyright Notice
  3. Dedication
  4. Acknowledgments
  5. Prologue
  6. Chapter One
  7. Chapter Two
  8. Chapter Three
  9. Chapter Four
  10. Chapter Five
  11. Chapter Six
  12. Chapter Seven
  13. Chapter Eight
  14. Chapter Nine
  15. Chapter Ten
  16. Chapter Eleven
  17. Chapter Twelve
  18. Chapter Thirteen
  19. Chapter Fourteen
  20. Chapter Fifteen
  21. Chapter Sixteen
  22. Chapter Seventeen
  23. Chapter Eighteen
  24. Chapter Nineteen
  25. Chapter Twenty
  26. Chapter Twenty-one
  27. Chapter Twenty-two
  28. Chapter Twenty-three
  29. Chapter Twenty-four
  30. Chapter Twenty-five
  31. Chapter Twenty-six
  32. Chapter Twenty-seven
  33. Chapter Twenty-eight
  34. Chapter Twenty-nine
  35. Chapter Thirty
  36. Chapter Thirty-one
  37. Chapter Thirty-two
  38. Chapter Thirty-three
  39. Chapter Thirty-four
  40. Chapter Thirty-five
  41. Chapter Thirty-six
  42. Chapter Thirty-seven
  43. Chapter Thirty-eight
  44. Chapter Thirty-nine
  45. Also by Allison Brennan
  46. Praise for these other novels by New York Times bestselling author Allison Brennan
  47. About the Author
  48. Newsletter Sign-up

Victoria’s car had been dusted for prints, and there were no new prints, though both Mitch Corta’s and Stanley Grant’s prints had been found in the vehicle. Not a surprise. No prints in the house other than the owners’, a long-time housekeeper’s, and Victoria’s—which lent credence to the idea that Victoria had let her killer into the house.

A supplemental report from the owners said nothing was missing—no jewelry, art, knives, et cetera. That meant the killer brought the knife with him. For the purpose of killing Victoria, or was it a knife that he always carried? Lucy didn’t assume it was for murder—she knew many people who routinely carried a knife, mostly cops or former military as well as her husband. But a knife was a far more intimate weapon than a gun.

And much quieter.

She looked for surveillance reports. In a neighborhood like the one where Victoria was murdered, many of the residents likely had security cameras. The owners had no cameras, just the alarm system. There was no such security report. Why? Wouldn’t they canvass the neighborhood? Check cameras?

She flipped through the other pages. Two officers talked to neighbors. No one heard or saw anything. One couple who were walking their dog at eleven fifteen that night said that they saw Victoria’s car in the driveway but no other vehicle. The killer either was gone or had parked in a different location and walked over.

That seemed unlikely. A stranger walking in that ritzy neighborhood might be noticed.

Unless they looked like they belonged there.

Jennifer Reed had interviewed Mitch Corta first. In her notes, he was upset and distracted. He confirmed that she was going to the house to set up for the open house the next day. He had an alibi—he was in Bandera appraising a massive ranch. The owner of the property verified that he arrived at four that Friday afternoon and stayed for dinner, leaving around ten thirty.

Impossible to get all the way to Alamo Heights by eleven unless he was practically flying. It was nearly sixty miles, and some roads you couldn’t go sixty, let alone a hundred.

She’d also interviewed Stanley Grant. He’d had dinner with his sister that night, left at nine, and gone home. No real alibi, but he had a security system on his house. It would have been easy enough to check—which no one did. Still, many systems could be bypassed or cheated. He could reprogram it to show he was in when he was out and vice versa. But in her initial notes, Reed didn’t think Grant was guilty.

She’d interviewed Victoria’s family, including her brother, Simon, and only one comment from him was interesting:

“Victoria believed someone was following her. She didn’t know who, and she was more angry than scared. Because that was her.”