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Contents ( 16)
  1. THREE
  2. FOUR
  3. FIVE
  4. SEVEN
  5. EIGHT
  6. NINE
  7. ELEVEN
  8. TWELVE
  9. THIRTEEN
  10. FOURTEEN
  11. FIFTEEN
  12. SIXTEEN
  13. SEVENTEEN
  14. EIGHTEEN
  15. NINETEEN
  16. POSTSCRIPT

"I don't suppose Judith talks about me much," I said, smiling.

"No, no, far too modern. These girls nowadays always seem embarrassed at having to admit to a father or mother at all."

"Parents," I said, "are practically a disgrace." He laughed. "Oh, well - I don't suffer that way. I've no children, worse luck. Your Judith is a very good-looking wench, but terribly highbrow. I find it rather alarming." He picked up the telephone receiver again. "Hope you don't mind, Luttrell, if I start damning your exchange to hell. I'm not a patient man." "Do 'em good," said Luttrell. He led the way upstairs and I followed him. He took me along the left wing of the house to a door at the end, and I realized that Poirot had chosen for me the room I had occupied before.

There were changes here. As I walked along the corridor, some of the doors were open and I saw that the old-fashioned large bedrooms had been partitioned off so as to make several smaller ones.

My own room, which had not been large, was unaltered save for the installation of hot and cold water, and part of it had been partitioned off to make a small bathroom. It was furnished in a cheap modern style which rather disappointed me. I should have preferred a style more nearly approximating the architecture of the house itself.

My luggage was in my room and the Colonel explained that Poirot's room was exactly opposite. He was about to take me there when a sharp cry of "George" echoed up from the hall below.

Colonel Luttrell started like a nervous horse. His hand went to his lips.

"I - I - sure you're all right? Ring for what you want - "

"George."

"Coming, my dear, coming."

He hurried off down the corridor. I stood for a moment looking after him. Then, with my heart beating slightly faster, I crossed the corridor and rapped on the door of Poirot's room.

TWO

Nothing is so sad, in my opinion, as the devastation wrought by age. My poor friend. I have described him many times. Now to convey to you the difference. Crippled with arthritis, he propelled himself about in a wheelchair. His once plump frame had fallen in. He was a thin little man now. His face was lined and wrinkled. His moustache and hair, it is true, were still of a jet-black colour, but candidly, though I would not for the world have hurt his feelings by saying so to him, this was a mistake. There comes a moment when hair dye is only too painfully obvious. There had been a time when I had been surprised to learn that the blackness of Poirot's hair came out of a bottle. But now the theatricality was apparent and merely created the impression that he wore a wig and had adorned his upper lip to amuse the children!

Only his eyes were the same as ever, shrewd and twinkling, and now - yes, undoubtedly - softened with emotion: