Then this man, who later would claim he did not remember killing “the lady on TV,” suddenly woke up, in a sense. He got off her body and had second thoughts about what he had done. The absence of drag marks near the couch suggested that Waddell carried the body from the couch and laid it on the floor on the other side of the room. He dragged it into an upright position and propped it against the TV. Then he set about to clean up. The ring marks that glowed on the floor, I believed, were left by the bottom of a bucket that he carried back and forth from the body to the bathtub down the hall. Each time he returned to the living room to mop up more blood with towels, or perhaps to check on his victim as he continued raiding her belongings and drinking her booze, he again bloodied the bottom of his shoes. This explained the profusion of shoe prints wandering peripatetically throughout her house. The activities themselves explained something else. Waddell’s post-offense behavior was inconsistent with that of someone who felt no remorse.

“Here he is, this uneducated farm boy who’s living in the big city,” Wesley explained. “He’s stealing to support a drug habit that’s rotting his brain. First marijuana, then heroin, coke, and finally PCP. And one morning he suddenly comes to and finds himself brutalizing the corpse of a stranger.”

Logs shifted in the fire as we stared at big handprints glowing as white as chalk on the dark television screen.

“The police never found vomit in the toilet or around it,” I said.

“He probably cleaned that up, too. Thank God he didn’t wipe down the wall above the john. You don’t lean against a wall like that unless you’re commode-hugging sick.”

“The prints are fairly high above the back of the toilet,” I observed. “I think he vomited, and when he stood up got dizzy, lurched forward, and raised his hands just in time to prevent his head from slamming into the wall. What do you think? Remorse or was he just stoned out of his mind?”

Wesley looked at me. “Let’s consider what he did with the body. He sat it upright, tried to dean it with towels, and left the clothes in a moderately neat stack on the floor near her ankles. Now, you can look at that two ways. He was lewdly displaying the body and thereby showing contempt. Or he was demonstrating what he considered caring. Personally, I think it was the latter.”

“And the way Eddie Heath’s body was displayed?”

“That feels different. The positioning of the boy mirrors the positioning of the woman, but something’s missing.”

Even as he spoke, I suddenly realized what it was. “A mirror image,” I said to Wesley in amazement. “A mirror reflects things backward or in reverse.”

He looked curiously at me.