Chapters (30)
- Books by Philip Pullman
- Count Karlstein
- Copyright
- Dedication
- Cast of Characters
- Part One: Hildi
- Chapter One
- Chapter Two
- Chapter Three
- Chapter Four
- Chapter Five
- Chapter Six
- Part Two: Narratives by Various Hands
- Lucy’s Narrative
- Hildi’s Narrative
- Police Report Number 354/21
- Miss Augusta Davenport’s Narrative
- Charlotte’s Narrative
- Max Grindoff’s Narrative
- Hildi’s Narrative continued
- Miss Augusta Davenport’s Narrative continued
- Lucy’s Narrative continued
- Hildi’s Narrative continued
- Lucy’s Narrative continued
- Part Three: Hildi Again
- Chapter One
- Chapter Two
- Chapter Three
- About the Author
- What’s next onyour reading list?
One day, I have no doubt, it will be as common for young ladies to be instructed in the arts of making a fire, of catching wild animals, and of skinning and cooking them, as it now is for them to be taught to paint in watercolors and to warble foolish ditties while attempting to accompany themselves upon the pianoforte. They do both of these things very badly, in my experience. In my Academy in Cheltenham I did try to instill some sense of adventure and enterprise into my girls, but, I am afraid, with little success. Who can prevail against Fashion? And these days it is the fashion for young girls to pretend to be frail, to languish, to swoon, to utter little fluting cries of rapture when they are pleased, and to lose consciousness altogether when they are not. Anything more ridiculous than the spectacle of great stout red-faced girls of fifteen or sixteen attempting to be frail romantic heroines can scarcely be imagined. But they will do it; nothing will persuade them of how absurd they look; they will not be told otherwise, because it is the fashion. I wait, with such patience as I can muster, for the fashion, like the wind, to change and blow from another quarter. When that day comes, may Augusta Davenport be there still, to hail its dawning!
My maid Eliza is a case in point. Once her young man, Max Grindoff, had left us, I could see her become more nervous by the minute. It was quite instructive to watch—or it would have been, had I been able to see it. But darkness, of course, was necessary to the effect. Instead, I had to rely on her remarks.
—“Miss Davenport, do you believe in ghosts?”
—“Oh! Miss Davenport! I heard a spirit—I’m sure I did!”
—“Miss Davenport—did you see that horrid dark form hastening between the trees?”
—“Oh, Miss Davenport! What a frightful sound!”
(An owl, of course; but she would not believe it.)
—“Miss Davenport! A bat—I declare! Oh! Oh! Do you think it is a vampire?”
—“Oh, listen! Miss Davenport, can you hear the wolves? I’m sure it is wolves—”
By the time we reached our destination, the girl was nearly insensible with fear. Not real fear, of course—she is good-hearted enough to stand up bravely to real danger, if any had threatened—but imaginary fear; fashionable fear. No sense in scoffing at her, of course; so when we reached the woodcutter’s hut, I set her to gathering some wood and lighting a fire while I explored a little way to see what I could discover about the lay of the land. Always a valuable exercise, this; once, in Turkestan, at the very edge of starvation, I surprised and shot a wild goat in just such circumstances. It was very tough, but it saved my life.