Back Count Karlstein
Chapters (30)
  1. Books by Philip Pullman
  2. Count Karlstein
  3. Copyright
  4. Dedication
  5. Cast of Characters
  6. Part One: Hildi
  7. Chapter One
  8. Chapter Two
  9. Chapter Three
  10. Chapter Four
  11. Chapter Five
  12. Chapter Six
  13. Part Two: Narratives by Various Hands
  14. Lucy’s Narrative
  15. Hildi’s Narrative
  16. Police Report Number 354/21
  17. Miss Augusta Davenport’s Narrative
  18. Charlotte’s Narrative
  19. Max Grindoff’s Narrative
  20. Hildi’s Narrative continued
  21. Miss Augusta Davenport’s Narrative continued
  22. Lucy’s Narrative continued
  23. Hildi’s Narrative continued
  24. Lucy’s Narrative continued
  25. Part Three: Hildi Again
  26. Chapter One
  27. Chapter Two
  28. Chapter Three
  29. About the Author
  30. What’s next onyour reading list?

Was there anything, I wondered (in the spirit of Marianna, the Captive of the Abruzzi), in the room itself with which I could effect an escape? Marianna had spent her time reflecting upon her situation and drawing Moral Conclusions, but then she, poor girl, had been shut in a chilly dungeon, and chained, besides, so there was not a great deal for her to look at. I supposed that I would need some kind of Implement with which to prize open the door. But the only Implements at hand seemed to be made of porcelain. One was a shepherdess and the other was a dog, and they were both broken. I searched further and found: a bent telescope; a glass paperweight; a statue of some Indian god, dented; a box containing specimens of dead butterflies, pinned to a board; a chipped decanter with a sticky little puddle of something sweet in the bottom. (I tasted it—it was too sweet, and just as I sipped, I thought of Poison and nearly choked.) There were several old dresses, very dusty, full of moths; a broken looking-glass; a portrait of a fat lady; a portrait of a fat boy and girl, both very disagreeable, and a fat dog, even more so; a dull Dutch-looking landscape, in oil, without a frame; a dull peeling-gilt frame, of a different size, without a picture; a gentleman’s full-bottomed wig, inhabited by moths, the cousins of those in the dresses—the male branch of the family, no doubt; and—Horrid Discovery!—a Human Head.

I have no doubt that I shrieked and put my hands to my mouth. I have observed that that is what I do when I am Startled. But the head that had startled me wore a good-humored, jolly expression and seemed not at all put out to have lost the company of its body.

It was, of course, made of wood. I realized that it belonged to the wig. It had a little pedestal and a brightly painted face and was altogether the cheerfulest object that I had seen for many months; and I was so lonely by then that I spoke to it and set it up on the bamboo table beside the ottoman, and shook its wig for it and dressed it again. And instantly I felt more cheerful, as if I had been visited by a jovial old soul whose only purpose was to look after me.

I told him everything that had happened and he listened with wonderful patience. And then, as if he were bringing me luck, I heard footsteps coming up the stairs. The key turned in the lock.

It was Frau Muller. I sat in a Dignified Manner upon the ottoman and looked straight ahead of me. She said nothing. I said nothing. She set down a tray upon the bamboo table and turned to leave. She left. She locked the door. She went downstairs.

Food!