The flush had faded from the eastern sky, and the faintest border of yellow light betrayed the ragged outlines of the mountain as they walked together to the tannery house.

Millicent, in the kitchen, was making great preparations—for Millicent. Miss Skinner was a person who had hitherto laid it down as a principle of life to pay deference or do honor to no human made of mere dust, like herself. Millicent's exception; if Cynthia had thought about it, was a tribute of no mean order. Cynthia, alas, did not think about it: she did not know that, in her absence, the fire had not been lighted in the evening, Jethro supping on crackers and milk and Milly partaking of the evening meal at home. Moreover, Miss Skinner had an engagement with a young man. Cynthia saw the fire, and threw off her sealskin coat which Mr. and Mrs. Merrill had given her for Christmas, and took down the saucepan from the familiar nail on which it hung. It was a miraculous fact, for which she did not attempt to account, that she was almost happy: happy, indeed, in comparison to that which had been her state since the afternoon before. Millicent snatched the saucepan angrily from her hand.

"What be you doin', Cynthy?" she demanded.

Such was Miss Skinner's little way of showing deference. Though deference is not usually vehement, Miss Skinner's was very real, nevertheless.

"Why, Milly, what's the matter?" exclaimed Cynthia, in astonishment.

"You hain't a-goin' to do any cookin', that's all," said Milly, very red in the face.

"But I've always helped," said Cynthia. "Why not?"

Why not? A tribute was one thing, but to have to put the reasons for that tribute, into words was quite another.

"Why not?" cried Milly, "because you hain't a-goin' to, that's all."

Strange deference! But Cynthia turned and looked at the girl with a little, sad smile of comprehension and affection. She took her by the shoulders and kissed her.

Whereupon a most amazing thing happened—Millicent burst into tears—wild, ungovernable tears they were.

"Because you hain't a-goin' to," she repeated, her words interspersed with violent sobs. "You go 'way, Cynthy," she cried, "git out!"

"Milly," said Cynthia, shaking her head, "you ought to be ashamed of yourself." But they were not words of reproof. She took a little lamp from the shelf, and went up the narrow stairs to her own room in the gable, where Lemuel had deposited the rawhide trunk.

Though she had had nothing all day, she felt no hunger, but for Milly's sake she tried hard to eat the supper when it came. Before it had fairly begun Moses Hatch had arrived, with Amandy and Eben; and Rias Richardson came in, and other neighbors, to say a word of welcome to hear (if the truth be not too disparaging to their characters) the reasons for her sudden appearance, and such news of her Boston experiences as she might choose to give them. They had learned from Lem Hallowell that Cynthia had returned a lady: a real lady, not a sham one who relied on airs and graces, such as had come to Coniston the summer before to look for a summer place on the painter's recommendation. Lem was not a gossip, in the disagreeable sense of the term, and he had not said a word to his neighbors of his feelings on that terrible drive from Brampton. Knowing that some blow had fallen upon Cynthia, he would have spared her these visits if he could. But Lem was wise and kind, so he merely said that she had returned a lady.