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Contents (30)
  1. Coming Up for Air
  2. George Orwell
  3. I
  4. ONE
  5. TWO
  6. THREE
  7. FOUR
  8. II
  9. ONE
  10. TWO
  11. THREE
  12. FOUR
  13. FIVE
  14. SIX
  15. SEVEN
  16. EIGHT
  17. NINE
  18. TEN
  19. III
  20. ONE
  21. TWO
  22. THREE
  23. IV
  24. ONE
  25. TWO
  26. THREE
  27. FOUR
  28. FIVE
  29. SIX
  30. SEVEN

After I’d soaped myself all over I felt better and lay down in the bath to think about my seventeen quid and what to spend it on. The alternatives, it seemed to me, were either a week-end with a woman or dribbling it quietly away on odds and ends such as cigars and double whiskies. I’d just turned on some more hot water and was thinking about women and cigars when there was a noise like a herd of buffaloes coming down the two steps that lead to the bathroom. It was the kids, of course. Two kids in a house the size of ours is like a quart of beer in a pint mug. There was a frantic stamping outside and then a yell of agony.

“Dadda! I wanna come in!”

“Well, you can’t. Clear out!”

“But dadda! I wanna go somewhere!”

“Go somewhere else, then. Hop it. I’m having my bath.”

“Dad-da! I wanna go some—where!”

No use! I knew the danger signal. The w.c. is in the bathroom—it would be, of course, in a house like ours. I hooked the plug out of the bath and got partially dry as quickly as I could. As I opened the door, little Billy—my youngest, aged seven—shot past me, dodging the smack which I aimed at his head. It was only when I was nearly dressed and looking for a tie that I discovered that my neck was still soapy.

It’s a rotten thing to have a soapy neck. It gives you a disgusting sticky feeling, and the queer thing is that, however carefully you sponge it away, when you’ve once discovered that your neck is soapy you feel sticky for the rest of the day. I went downstairs in a bad temper and ready to make myself disagreeable.

Our dining-room, like the other dining-rooms in Ellesmere Road, is a poky little place, fourteen feet by twelve, or maybe it’s twelve by ten, and the Japanese oak sideboard, with the two empty decanters and the silver egg-stand that Hilda’s mother gave us for a wedding present, doesn’t leave much room. Old Hilda was glooming behind the teapot, in her usual state of alarm and dismay because the News Chronicle had announced that the price of butter was going up, or something. She hadn’t lighted the gas-fire, and though the windows were shut it was beastly cold. I bent down and put a match to the fire, breathing rather loudly through my nose (bending always makes me puff and blow) as a kind of hint to Hilda. She gave me the little sidelong glance that she always gives me when she thinks I’m doing something extravagant.

Hilda is thirty-nine, and when I first knew her she looked just like a hare. So she does still, but she’s got very thin and rather wizened, with a perpetual brooding, worried look in her eyes, and when she’s more upset than usual she’s got a trick of humping her shoulders and folding her arms across her breast, like an old gypsy woman over her fire. She’s one of those people who get their main lack in life out of foreseeing disasters. Only petty disasters, of course. As for wars, earthquakes, plagues, famines and revolutions, she pays no attention to them. Butter is going up, and the gas-bill is enormous, and the kids’ boots are wearing out and there’s another instalment due on the radio—that’s Hilda’s litany. She gets what I’ve finally decided is a definite pleasure out of rocking herself to and fro with her arms across her breast, and glooming at me, “But, George, it’s very serious! I don’t know what we’re going to do! I don’t know where the money’s coming from! You don’t seem to realise how serious it is!” and so on and so forth. It’s fixed firmly in her head that we shall end up in the workhouse. The funny thing is that if we ever do get to the workhouse Hilda won’t mind it a quarter as much as I shall, in fact she’ll probably rather enjoy the feeling of security.