Chapters (71)
- Title Page
- Copyright Notice
- Dedication
- Acknowledgments
- Family Tree
- Prologue
- Harry and Emma Clifton: 1970–1971
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Giles Barrington: 1971
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Lady Virginia Fenwick: 1971
- Chapter 12
- Chapter 13
- Chapter 14
- Sebastian Clifton: 1971
- Chapter 15
- Chapter 16
- Chapter 17
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Lady Virginia Fenwick: 1972
- Chapter 22
- Chapter 23
- Chapter 24
- Maisie Clifton: 1972
- Chapter 25
- Emma Clifton: 1972–1975
- Chapter 26
- Chapter 27
- Chapter 28
- Sebastian Clifton: 1975
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Hakim Bishara: 1975
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- Chapter 37
- Chapter 38
- Giles Barrington: 1976–1977
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Harry and Emma Clifton: 1978
- Chapter 47
- Chapter 48
- Chapter 49
- Chapter 50
- Epilogue: 1978
- About the Author
- Also by Jeffrey Archer
- Newsletter Sign-up
“And you head up the property division of Farthings, which must be quite a responsibility for someone—”
“—of my age? As you well know, banking is a young man’s game. Most of my colleagues are burnt out by forty.”
“Some at thirty.”
“And it still can’t be easy for a woman to make headway in the City.”
“One or two of the banks are slowly coming around to accepting that it’s just possible a woman might be as bright as a man. However, most of the older establishments are still living in the dark ages. Which school you went to, or who your father is, often outranks ability or qualifications. Hambros is less Neanderthal than most, but they still don’t have a woman on the board, which is also true of every other major bank in the City, including Farthings.”
Three bells rang.
“Does that mean the players are about to come out onto the pitch?”
“As you’re a regular theatregoer, you’ll know that’s the three-minute bell.”
Seb followed her out of the restaurant and into the auditorium as she seemed to know exactly where she was going. He wasn’t surprised when they were shown to the best seats in the house.
From the moment the curtain rose and the little swans fluttered out onto the stage, Seb was transported into another world. He was captivated by the dancers’ skills and artistry, and just when he thought it couldn’t get any better, the prima ballerina made her entrance, and he knew he would be returning again and again. When the curtain fell at the end of the second act and the applause had died down, Priya led him back to the restaurant.
“Well, what do you think?” she asked as they sat down.
“I was spellbound,” he said, looking directly at her. “And I enjoyed Margot Fonteyn’s performance as well.”
Priya laughed. “My father first took me to the ballet when I was seven years old. Like all little girls, I left the theatre wanting to be one of the four cygnets, and it’s been an unbroken love affair ever since.”
“I had the same feeling when my father first took me to Stratford to see Paul Robeson in Othello,” Seb said as a lamb chop was placed in front of him.
“How fortunate you are.” Seb looked puzzled. “You’ll now be able to see all the great ballets for the first time. Mind you, starting with Fonteyn won’t make it easy for those who follow her.”
“My father once told me,” said Seb, “that he wished he’d never read a word of Shakespeare until he was thirty. Then he could have seen all thirty-seven plays without knowing the endings. I now realize exactly what he meant.”
“I just don’t get to the theatre enough.”
“I did invite you to The Merchant of Venice, but—”