Chapters (28)
- Title Page
- Copyright Notice
- Dedication
- Epigraph
- PART I
- HOME AGAIN
- 1 WRAPPED IN LIGHTNING, WEEPING THUNDER
- 2 THEY ALWAYS COME BACK HOME
- 3 WINDOWS OF THE SOUL
- 4 A DARK AND STORMY NIGHT
- 5 ANOTHER AWKWARD CONVERSATION
- 6 LIKE LIGHTNING, BRIDGING THE SKY
- PART II
- 7 THE ROLES WE CHOOSE OURSELVES
- 8 EVERYONE HAS A MASK
- 9 AND THEN THERE WERE HORSES
- PART III
- 10 WHERE THE SHADOW MEETS THE SEA
- 11 UNDER THE EAVES, WHERE SWALLOWS SLEEP
- 12 ALL THE DROWNED CHILDREN
- 13 THE BROKEN CROWN
- 14 CAME TUMBLING AFTER
- PART IV
- 15 A HEART OF WIRE AND GLASS
- EPILOGUE
- Also by Seanan McGuire
- ABOUT THE AUTHOR
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The school stood alone in the middle of a vast, rolling field, which was dotted with copses of trees; there were no neighbors for miles in any direction. Eleanor had inherited the property upon the deaths of her parents, and had immediately tasked the family accountant with managing the bulk of her assets, giving him strict instructions to watch the land around hers for any signs of a sale. When he found those signs, he was to step in whenever possible to keep that land from going to market. No price was too dear to pay for privacy. Sometimes even she wasn’t sure how much of the surrounding countryside she owned.
That still wasn’t enough for some of her students. They sought deeper shadows, darker spaces, more privacy and freedom from the outside world. For those children, the basement was the most coveted real estate in the house, and its occupants defended it fiercely from suggestion of roommates or relocation.
On the hot summer night where we begin, the basement’s occupant was a boy named Christopher. He was in his late teens and knew that, one way or another, his tenure at the school was nearing its natural end. Either he’d graduate and go home to parents who expected him to be interested in college, a career, what they called “the real world,” or he’d find a door of latticed bone and butterfly wings, interlaced with marigold petals, and he’d disappear for a second, and final, time. He knew which ending he wanted.
He knew he didn’t get to choose.
Maybe that’s why he was stretched out on his bed like a corpse prepared for autopsy, with his hands folded across his chest and his fingers wrapped loosely around a flute carved from a single bone. There were no holes, only indentations etched into its surface, but something about its shape made its purpose perfectly clear.
The single small basement window was open, letting a breeze whisper through. The glass was dark and leaded, letting little light inside. Christopher didn’t mind. He could always go outside when he wanted to feel the sun on his face. Most of his free time was spent in the grove behind the school, perched in the high branches and playing silent songs on his flute.