Contents ( 33)
- Collected Stories
- Ruth Rendell
- Acknowledgement
- The Fallen Curtain
- The Fallen Curtain
- People Don’t Do Such Things
- A Bad Heart
- You Can’t Be Too Careful
- The Double
- The Venus Fly Trap
- The Clinging Woman
- The Vinegar Mother
- The Fall of a Coin
- Almost Human
- Divided We Stand
- Means of Evil
- Means of Evil
- Old Wives’ Tales
- Ginger and the Kingsmarkham Chalk Circle
- Achilles Heel
- When the Wedding Was Over
- The Fever Tree
- The Fever Tree
- The Dreadful Day of Judgement
- A Glowing Future
- An Outside Interest
- A Case of Coincidence
- Thornapple
- May and June
- A Needle for the Devil
- Front Seat
- Paintbox Place
- The Wrong Category
That Fellowship he got, of course, in 1952. He was surgical registrar at a big London hospital, famous for successes in the field of cardiac surgery, when the first of the Wrexlade murders took place. Wendy Cutforth. Round about the time the account of that murder and of the hunt for the Wrexlade strangler appeared in the papers, Norah met Jan Vandepeer.
Michael wasn’t a reader of the popular press and the Lestranges had no television. Television wasn’t, in those days, the indispensable adjunct to domestic life it has since become. Michael listened sometimes to the radio, he read The Times. He knew of the first of the Wrexlade murders but he wasn’t much interested in it. He was busy in his job and he had Jan Vandepeer to worry about too.
The nature of the Dutchman’s business in London was never clear to Michael, perhaps because it was never clear to Norah. It seemed to have something to do with commodity markets and Michael was convinced it was shady, not quite above board. Norah used to say that he was a smuggler, and she found the possibility he might be a diamond smuggler exciting. She met him on the boat coming from The Hook to Harwich after spending a week in The Hague with her parents, her father having a diplomatic post there.
‘Darling, I absolutely have to have Jan, I’m crazy about him. It’s nothing to do with us, though, you do see that, don’t you? No one could ever take me away from you.’
He used to come over about once a month with his car and drive down to London through Colchester and Chelmsford, spend the night somewhere, carry out his business the following day and get the evening boat back. Whether he stayed in Chelmsford rather than London because it was cheaper or because Chelmsford, in those days, still kept its pleasant rural aspect, does not seem to be known. It hardly matters. Norah Lestrange was more than willing to drive the forty or so miles to Chelmsford in her Alpine and await the arrival of her dashing, blond smuggler at the Murrey Gryphon Hotel.
Chelmsford is the county town of Essex, standing on the banks of the river Chelmer and in the midst of a pleasant, though featureless, arable countryside. The land is rather flat, the fields wide, and there are many trees and numerous small woods. Wrexlade lies some four miles to the north of the town, Ingleford a little way further west. It was some time before the English reader of newspapers began to think of Wrexlade as anywhere near Chelmsford. It was simply Wrexlade, a place no one had heard of till Wendy Cutforth and then Maureen Hunter died there, a name on a map or maybe a signpost till the stranglings began – and then, gradually, a word synonymous with fascinating horror.
Bismarck Road, Hilldrop Crescent, Rillington Place – who can say now, except the amateur of crime, which of London’s murderers lived in those streets? Yet in their day they were names on everyone’s lips. Such is the English sense of humour that there were even jokes about them. There were jokes, says Miss Hallam Saul, about Wrexlade, sick jokes for the utterance of one of which a famous comedian was banned by the BBC. Something on the lines of what a good idea it would be to take one’s mother-in-law to Wrexlade . . .