Contents ( 33)
- Collected Stories
- Ruth Rendell
- Acknowledgement
- The Fallen Curtain
- The Fallen Curtain
- People Don’t Do Such Things
- A Bad Heart
- You Can’t Be Too Careful
- The Double
- The Venus Fly Trap
- The Clinging Woman
- The Vinegar Mother
- The Fall of a Coin
- Almost Human
- Divided We Stand
- Means of Evil
- Means of Evil
- Old Wives’ Tales
- Ginger and the Kingsmarkham Chalk Circle
- Achilles Heel
- When the Wedding Was Over
- The Fever Tree
- The Fever Tree
- The Dreadful Day of Judgement
- A Glowing Future
- An Outside Interest
- A Case of Coincidence
- Thornapple
- May and June
- A Needle for the Devil
- Front Seat
- Paintbox Place
- The Wrong Category
‘Good luck, Mike,’ he said.
The bride took his hand, put a soft cool kiss on to the corner of his mouth. Say I’m growing old but add, Jenny kissed me. He didn’t say that aloud. He nodded and smiled and took his wife’s arm and frowned at Sylvia’s naughty boys like the patriarch he was. Burden and Jenny went out to the car which had Just Married written in lipstick on the rear window and a shoe tied on the back bumper.
There was a clicking of handbag clasps, a flurry of hands, and then a tempest of confetti broke over them.
It was an isolated house, standing some twenty yards back from the Myringham road. Plumb in the centre of the façade was a plaque bearing the date 1896. Wexford had often thought that there seemed to have been positive intent on the part of late-Victorian builders to design and erect houses that were not only ugly, complex and inconvenient, but also distinctly sinister in appearance. The Limes, though well-maintained and set in a garden as multi-coloured, cushiony and floral as a quilt, nevertheless kept this sinister quality. Khaki-coloured brick and grey slate had been the principal materials used in its construction. Without being able to define exactly how, Wexford could see that, in relation to the walls, the proportions of the sash windows were wrong. A turret grew out of each of the front corners and each of these turrets was topped by a conical roof, giving the place the look of a cross between Balmoral castle and a hotel in Kitzbuehl. The lime trees which gave it its name had been lopped so many times since their planting at the turn of the century that now they were squat and misshapen.
In the days of the Winchurches it had been called Paraleash House. But this name, of historical significance on account of its connection with the ancient manor of Paraleash, had been changed specifically as a result of the murder of Edward Winchurch. Even so, it had stood empty for ten years. Then it had found a buyer a year or so before the First World War, a man who was killed in that war. Its present owner had occupied it for half a dozen years, and in the time intervening between his purchase of it and 1918 it had been variously a nursing home, the annexe of an agricultural college and a private school. The owner was a retired brigadier. As he emerged from the front door with two Sealyhams on a lead, Wexford retreated to his car and drove home.
It was Monday evening and Burden’s marriage was two days old. Monday was the evening of Dora’s pottery class, the fruits of which, bruised-looking and not invariably symmetrical, were scattered haphazardly about the room like windfalls. Hunting along the shelves for G. Hallam Saul’s When the Summer is Shed and The Trial of Florence Winchurch from the Notable British Trials series, he nearly knocked over one of those rotund yet lop-sided objects. With a sigh of relief that it was unharmed, he set about refreshing his memory of the Winchurch case with the help of Miss Saul’s classic.