Back Collected Stories Save as PDF
Contents ( 33)
  1. Collected Stories
  2. Ruth Rendell
  3. Acknowledgement
  4. The Fallen Curtain
  5. The Fallen Curtain
  6. People Don’t Do Such Things
  7. A Bad Heart
  8. You Can’t Be Too Careful
  9. The Double
  10. The Venus Fly Trap
  11. The Clinging Woman
  12. The Vinegar Mother
  13. The Fall of a Coin
  14. Almost Human
  15. Divided We Stand
  16. Means of Evil
  17. Means of Evil
  18. Old Wives’ Tales
  19. Ginger and the Kingsmarkham Chalk Circle
  20. Achilles Heel
  21. When the Wedding Was Over
  22. The Fever Tree
  23. The Fever Tree
  24. The Dreadful Day of Judgement
  25. A Glowing Future
  26. An Outside Interest
  27. A Case of Coincidence
  28. Thornapple
  29. May and June
  30. A Needle for the Devil
  31. Front Seat
  32. Paintbox Place
  33. The Wrong Category

‘Good luck, Mike,’ he said.

The bride took his hand, put a soft cool kiss on to the corner of his mouth. Say I’m growing old but add, Jenny kissed me. He didn’t say that aloud. He nodded and smiled and took his wife’s arm and frowned at Sylvia’s naughty boys like the patriarch he was. Burden and Jenny went out to the car which had Just Married written in lipstick on the rear window and a shoe tied on the back bumper.

There was a clicking of handbag clasps, a flurry of hands, and then a tempest of confetti broke over them.

It was an isolated house, standing some twenty yards back from the Myringham road. Plumb in the centre of the façade was a plaque bearing the date 1896. Wexford had often thought that there seemed to have been positive intent on the part of late-Victorian builders to design and erect houses that were not only ugly, complex and inconvenient, but also distinctly sinister in appearance. The Limes, though well-maintained and set in a garden as multi-coloured, cushiony and floral as a quilt, nevertheless kept this sinister quality. Khaki-coloured brick and grey slate had been the principal materials used in its construction. Without being able to define exactly how, Wexford could see that, in relation to the walls, the proportions of the sash windows were wrong. A turret grew out of each of the front corners and each of these turrets was topped by a conical roof, giving the place the look of a cross between Balmoral castle and a hotel in Kitzbuehl. The lime trees which gave it its name had been lopped so many times since their planting at the turn of the century that now they were squat and misshapen.

In the days of the Winchurches it had been called Paraleash House. But this name, of historical significance on account of its connection with the ancient manor of Paraleash, had been changed specifically as a result of the murder of Edward Winchurch. Even so, it had stood empty for ten years. Then it had found a buyer a year or so before the First World War, a man who was killed in that war. Its present owner had occupied it for half a dozen years, and in the time intervening between his purchase of it and 1918 it had been variously a nursing home, the annexe of an agricultural college and a private school. The owner was a retired brigadier. As he emerged from the front door with two Sealyhams on a lead, Wexford retreated to his car and drove home.

It was Monday evening and Burden’s marriage was two days old. Monday was the evening of Dora’s pottery class, the fruits of which, bruised-looking and not invariably symmetrical, were scattered haphazardly about the room like windfalls. Hunting along the shelves for G. Hallam Saul’s When the Summer is Shed and The Trial of Florence Winchurch from the Notable British Trials series, he nearly knocked over one of those rotund yet lop-sided objects. With a sigh of relief that it was unharmed, he set about refreshing his memory of the Winchurch case with the help of Miss Saul’s classic.