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Chapters (57)
  1. Cover Page
  2. Title Page
  3. Dedication
  4. ONE
  5. Chapter 2
  6. Chapter 3
  7. Chapter 4
  8. Chapter 5
  9. Chapter 6
  10. Chapter 7
  11. Chapter 8
  12. Chapter 9
  13. Chapter 10
  14. Chapter 11
  15. Chapter 12
  16. Chapter 13
  17. Chapter 14
  18. Chapter 15
  19. Chapter 16
  20. TWO
  21. Chapter 18
  22. Chapter 19
  23. Chapter 20
  24. Chapter 21
  25. Chapter 22
  26. Chapter 23
  27. Chapter 24
  28. Chapter 25
  29. Chapter 26
  30. Chapter 27
  31. Chapter 28
  32. Chapter 29
  33. Chapter 30
  34. Chapter 31
  35. Chapter 32
  36. Chapter 33
  37. Chapter 34
  38. Chapter 35
  39. Chapter 36
  40. THREE
  41. Chapter 38
  42. Chapter 39
  43. Chapter 40
  44. Chapter 41
  45. Chapter 42
  46. Chapter 43
  47. Chapter 44
  48. Chapter 45
  49. Chapter 46
  50. Chapter 47
  51. Chapter 48
  52. FOUR
  53. Chapter 50
  54. Chapter 51
  55. Chapter 52
  56. Other Books By This Author
  57. Copyright

I would discover later that the Crypt was organized on three great levels. But each of those levels was subdivided by intermediate floors and mezzanines. The layout was functional, and changed all the time according to need, the arbitrary divisions between compartments blurring. All that helped mix up the geography in everybody’s heads, of course. I certainly didn’t figure out, that first time, how far those branching corridors and mushrooming chambers led; I never came to anything that could have been an outside wall, a layer of tufa like that I had seen carved out in the Catacombs above. Even so, I could see that the Crypt was immense.

And it was full of people. That was the one thing that struck me every second.

They were all around me, all the time, everywhere we walked. They all seemed similar, all smooth-faced and ageless, all of a compact, rounded build—and not tall; I was one of the tallest there, so I was seeing over the heads of the crowd. I was immersed in touch constantly: they would brush against me, and sometimes one would rest a hand on my shoulder as she squeezed past. There was that smell, the overall leonine stink of the compound, but something subtler when one of them came close, the milky sweetness I had noticed about Rosa.

And then there were the faces. It took me some minutes, after entering that first corridor, to recognize how similar they all were. They were all like Rosa, and therefore like me, almost all of them with oval faces, broad, flat noses—and the slate-gray eyes that have been a family trait for generations. They were all around me, faces like mirrors of mine—if younger, smoother, happier. There was a constant racket, but nobody seemed to be shouting, arguing, barging past anybody else; everybody was busy, but nobody was rushing or stressed out. Despite the hubbub, there was a great sense of order about the place.

I felt confused, baffled, battered by astounding impressions. But, odd though it seems, I didn’t feel uncomfortable. I’ve always been drawn to order, regularity—not control, necessarily, but calm. And this place, for all its unfamiliarity and surface strangeness, was at heart a deep well of calm; I could sense that immediately.

What I felt was: I belong here.

Rosa brought me to a kind of balcony. It was a rare viewpoint offering a cutaway view of at least some of the Crypt, like looking down into a shopping mall from a top level. Rosa pointed out a row of open-roofed chambers lined with bunk beds: dormitories. Farther away was a blocky structure that was a hospital, she said. People were everywhere I looked, moving, working, interacting with each other in little knots.

“There must be—” I waved a hand at the teeming masses below. “—a control center. Some kind of management structure.”