Chapters (57)
- Cover Page
- Title Page
- Dedication
- ONE
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Chapter 10
- Chapter 11
- Chapter 12
- Chapter 13
- Chapter 14
- Chapter 15
- Chapter 16
- TWO
- Chapter 18
- Chapter 19
- Chapter 20
- Chapter 21
- Chapter 22
- Chapter 23
- Chapter 24
- Chapter 25
- Chapter 26
- Chapter 27
- Chapter 28
- Chapter 29
- Chapter 30
- Chapter 31
- Chapter 32
- Chapter 33
- Chapter 34
- Chapter 35
- Chapter 36
- THREE
- Chapter 38
- Chapter 39
- Chapter 40
- Chapter 41
- Chapter 42
- Chapter 43
- Chapter 44
- Chapter 45
- Chapter 46
- Chapter 47
- Chapter 48
- FOUR
- Chapter 50
- Chapter 51
- Chapter 52
- Other Books By This Author
- Copyright
Rosetta carried over a lamp. It was just a wick floating in a pot of oil, small enough to hold in cupped hands. Rosa fed the bit of cloth to the lamp’s flame. It scorched, curled up, and vanished.
All through this the matres were chanting bits of Latin—the same phrases, it seemed, over and over.
Lucia whispered to Pina, “I don’t understand what they are saying.”
“That your blood is precious,” Pina whispered back. “And they are saying, Sisters matter more than daughters. Sisters matter more than daughters . . .”
“It’s just like kindergarten,” Lucia whispered, trying to make her voice light.
Pina forced a smile. But her eyes were wide, scared.
“Now,” Rosa said, “it’s time.” She looked past Lucia’s shoulder.
Giuliano stood on the stage, beside the couch. He was wearing a shift like Lucia’s, and he was barefoot. He was looking at her with an intensity that burned through his smile. And an erection pushed out the front of his smock.
Rosa and Pina took her hands and led her toward the couch on the stage. The others were watching, wide-eyed Rosetta, the matres with their eyes like hawks. They chanted Latin, and Pina softly translated: “Your blood is the blood of the Order itself. It must not be mixed with water. I think that means, diluted by the blood of an outsider, a contadino. Your blood is precious . . .”
It was like a dream—the rhythmic chanting, the uncertain light, the ancient, rounded walls of the theater—everything was unreal save the prickle of cold on her arms. Yet she submitted, as she had at each step.
On the stage, Rosa bade her lift her arms. With a swift motion Pina and Rosa peeled her shift up and over her body. She was left truly naked now, and the little warmth that the cloth had given her was gone.
When she met Giuliano’s eyes, she thought she saw uncertainty. She wondered what he was thinking, how he was truly feeling. But then his gaze strayed to her neck, her breasts, and she was alone again.
Submitting to Rosa’s gentle prompting, she lay down on the couch. It was covered by a thin mattress and a rich crimson cloth, but the couch felt hard under her back, and the cloth prickled her skin.
“Lift up your arms,” Rosa whispered. “Welcome him.”
Lucia did as she was told.
She was looking up at the ceiling, grimed by centuries of smoke, through the frame of her white arms, her limp fingers. In this frame appeared Giuliano. She felt his hands on her thighs. She opened her legs. He lifted up his shift, and placed his arms to either side of her body, to support his weight. His face descended toward hers like a falling moon. She folded her arms over his back; she felt a mat of thick hair there.
Unbidden, a memory of Daniel’s face floated into her mind.