This was November, and Lucia’s regular schooling was in recess. For the second year she had come to work in the big office called the scrinium. This was an ancient Latin word meaning “archive.” Despite the antique name, it was a modern, bright, open-plan area with cubicles and partitions, PCs and laptops, adorned with potted plants and calendars, and with light wells admitting daylight from the world above. This bright, anonymous place might have been an office in any bank or government ministry. Even the ubiquitous symbol of the Order, two schematic face-to-face kissing fish, was rendered on the wall in bronze and chrome, like a corporate logo. Quite often you would even see a contadino or two in here—literally “countryman” or “peasant,” this word meant “outsider; not of the Order.”

But beyond the office was a computer center, a big climate-controlled room where high-capacity mainframes hummed and whirred in bluish light. And beyond that were libraries, great echoing corridors, softly lit and laced with fire-preventive equipment. Lucia didn’t know—nobody in her circle knew—how far such corridors extended, off into the darkness, tunneled out of the soft tufa rock; it didn’t even occur to her to ask the question. But it was said that if you walked far enough, the books gave way to scrolls of animal skin and papyrus, and tablets with Latin or Greek letters scratched in clay surfaces, and even a few pieces of carved stone.

In these vaulted, interconnected rooms the Order had stored its records ever since its first founding, sixteen centuries before. Nowadays the archive was more valuable than it had ever been, for it had become a key source of income for the Order. Information was sold, much of it nowadays via the Internet, to historians, to academic institutions and governments, and to amateur genealogists trying to trace family roots.

Lucia worked here as a lowly clerk—or, in the sometimes archaic language of the Order, as one of the scrinarii, under a supervising bibliotecharius. She spent some of her time doing computer work, transcribing and cross-correlating records from different sources. But mainly she worked on transcription. She would copy records, by hand, from computer screens and printouts onto rag paper sheets.

The Order made its own rag paper, once manufactured by breaking up cloth in great pounding animal-driven pestles, but now directly from cotton in a room humming with high-speed electrical equipment. It was medieval technology. But the rag paper, acid-free, marked by special noncorrosive inks, would last far longer than any wood-pulp paper. The Order had little faith in digital archives; already there were difficulties accessing records from older, obsolescent generations of computers and storage media. If you were serious about challenging time, rag paper was the way to do it.