Chapters (42)
- Title Page
- Copyright Notice
- Dedication
- City of Saints and Madmen
- Dradin, in Love
- 1
- The Hoegbotton Guide to the Early History of the City of Ambergris
- 1
- The Cage
- 1
- The Transformation of Martin Lake
- The Strange Case of X
- Shriek: An Afterword
- AN AFTERWORD TO THE EARLY HISTORY OF AMBERGRIS
- PART I
- 1
- 5
- PART II
- 1
- 4
- A (BRIEF) AFTERWORD BY SIRIN
- Finch
- MONDAY
- 1
- TUESDAY
- 1
- WEDNESDAY
- 1
- THURSDAY
- 1
- FRIDAY
- 1
- SATURDAY
- 1
- SUNDAY
- ACKNOWLEDGMENTS
- Illustration credits
- NOTES
- Notes 2
- Also by Jeff Vandermeer
- A Note About the Author
- Newsletter Sign-up
We have traveled through a series of rooms. The first rooms were tiny—I had to crawl into them, and even then barely squeezed through, banging my head on the ceiling. These rooms had the delicate yet ornate qualities of an illuminated manuscript, or one of the miniature paintings so beloved by the Kalif. Golden lichen covered the walls in intricate patterns, crossed through with a royal red fungus that formed star shapes. Strangely, in these rooms I felt as if I had unlimited space in which to move and breathe. Each room we entered was larger and more elaborate than its predecessor—although never did I have the sense that anyone had ever lived in the rooms, despite the presence of chairs, tables, and bookshelves—so that I found myself bedazzled by the light, the flourishes, the engraved ceilings. And yet, oddly enough, as the curious rooms expanded, my sense of claustrophobia expanded too, so that it took over all my thoughts … This continued for days and days, until I had become numb to the glamour and dulled to the claustrophobia. When hungry, we broke off pieces of the walls and ate of them. When thirsty, we squeezed the chair arms and greedily drank the drops of mossy elixir that came from them. Eventually, we would push open the now immense doors leading to the next room and see only distantly the far wall … Then, just when I thought this journey might never end—and yet surely could not continue—I was brought through one final door (as large as many of the rooms we had passed through). Beyond this door, it was night, lit vaguely by the stars, and we had come out upon a hill of massive columns, through which I could see, below us, a vast city that looked uncannily like Cinsorium, surrounded by a forest. A sweet, sweet breeze blew through the trees and lifted the grass along the hill. Above, the immense sky—and I thought, I thought, that I had been brought aboveground, for the entire world seemed to spread out before me. But no, I realized with sinking heart, for far above me I could see, when I squinted, that, luminous blue against the blackness, the lines of strange constellations had been set out there, using some instrument more precise than known of aboveground. And yet the stars themselves moved in phosphorescent patterns of blue, green, red, yellow, and purple, and after a moment I discovered that these “stars” were actually huge moths gliding across the upper darkness … My captors intend to leave me here; I am given to understand that I have reached the end of my journey—they are done with me, and I am free. I have but a few more minutes to write in this journal before they take it from me. What now to do? I shall not follow the light of the moths, for it is a false light and wanders where it will. But, in the lands that spread out before me, a light beckons in the distance. It is a clear light, an even light, and because light still, to me, means the surface, I have decided to walk toward it in hopes, after all this time, of regaining the world I have lost. I may well simply find another door when I find the source of the light, but perhaps not. In any event, God speed say I.