Thus, in Manzikert II’s eleventh year of rule, he was finally able to focus exclusively on building roads, promoting trade, and, most importantly, designing the layers of efficient bureaucracy necessary to govern a large area. He himself never conquered much territory, but he laid the groundwork for the system that would reach its apogee 300 years later during the reign of Trillian the Great Banker.

Manzikert II also laid the groundwork for Ambergris’s unique religious flavor by building churches in what would become the Religious Quarter—and, less to his credit, by active plundering of other cities. Obsessed with relics, Manzikert II was forever sending agents to the south and west to buy or steal the body parts of saints, until by the end of his reign he had amassed a huge collection of some 70 mummified noses, eyelids, feet, kneecaps, fingers, hearts, and livers. Housed in the various churches, these relics attracted thousands of pilgrims (along with their money), some of whom stayed in the city, thus helping to spark the rapid growth that made Ambergris a thriving metropolis only 20 years after its foundation. Remarkably, Manzikert II’s astute diplomacy averted catastrophe in at least four instances where his thievery of relics so infuriated the plundered cities that they were ready to invade Ambergris.

On the architectural front, Manzikert II built many remarkable structures with the help of his chief architect Midan Pejora, but none so well-known as the Cappan’s Palace, which would exist intact until, 350 years later, the Kalif’s Grand Vizir, upon his temporary occupation of Ambergris, dismantled much of it. The palace was, by all accounts, a rather peculiar building. The exterior inspired the noted traveler Alan Busker to write:

The walls, the columns rise until, at last, as if in ecstasy, the crests of the arches break into a marble foam, and toss themselves far into the blue sky in flashes and wreaths of sculptured spray, as if the breakers on the shore had been frost bound before they fell, and the river nymphs had inlaid them with diamonds and amethyst.

However, the interior prompted him to write: “We shall find that the work is at least pure in its insipidity, and subtle in its vice; but this monument is remarkable as showing the refuse of one style encumbering the embryo of another, and all principles of life entangled either in diapers or the shroud.” The actual bust of Manzikert II pleased Busker even less: “A huge, gross, bony clown’s face, with the peculiar sodden and sensual cunning in it which is seen so often in the countenances of the worst Truffidian priests; a face part of iron and part of clay. I blame the sculptor, not the subject.”