Back City of Saints and Madmen
Chapters (42)
  1. Title Page
  2. Copyright Notice
  3. Dedication
  4. City of Saints and Madmen
  5. Dradin, in Love
  6. 1
  7. The Hoegbotton Guide to the Early History of the City of Ambergris
  8. 1
  9. The Cage
  10. 1
  11. The Transformation of Martin Lake
  12. The Strange Case of X
  13. Shriek: An Afterword
  14. AN AFTERWORD TO THE EARLY HISTORY OF AMBERGRIS
  15. PART I
  16. 1
  17. 5
  18. PART II
  19. 1
  20. 4
  21. A (BRIEF) AFTERWORD BY SIRIN
  22. Finch
  23. MONDAY
  24. 1
  25. TUESDAY
  26. 1
  27. WEDNESDAY
  28. 1
  29. THURSDAY
  30. 1
  31. FRIDAY
  32. 1
  33. SATURDAY
  34. 1
  35. SUNDAY
  36. ACKNOWLEDGMENTS
  37. Illustration credits
  38. NOTES
  39. Notes 2
  40. Also by Jeff Vandermeer
  41. A Note About the Author
  42. Newsletter Sign-up

It will sound odd, but I realize now that if I had looked closely enough, I could have seen physical evidence of the beginning of Mary’s attacks on Duncan’s books. Stare long enough, hard enough, with the appropriate intensity, and Duncan’s theories were all there, woven into the brick, the stone, the wood, even inhabiting the wind that came down and whispered through narrow streets backed up with rubble. And, in the sheer remembered violence of bloodstains, burnt wood, crippled brick: Mary’s retort, her refutation of him. As Mary walked through some other part of the city that day, through some other aftermath, what did she see? What could she see but the embodiment of her father’s Nativism theory? Everything cataloged as the most natural of disasters. (Truly a stretch, Janice, if ever there was one!)

I understand now, remembering my walk through the city, that the glittering flesh necklace surrounded a neck that supported a head filled with maggoty ideas. Filled with images that do not connect, and which will always make it impossible for Sabon to recognize the truth in Duncan’s theories. She has found her own personal history; she has written it to drown out the truth.

In a sense, almost every word, every sentence, every paragraph she has written about Ambergris since the war has been an attempt to undo my memories—what I saw during that war, what I saw that night with Sybel beside me, what I saw afterward, walking through the city. And, of course, everything she saw belowground. (This is nonsense. Mary reacted no differently than many other Ambergrisians. A deep sense of denial pervaded the city, but how can you blame any of its inhabitants? They still had to live on in the city. It must have been much worse after the Silence. Imagine your loved ones being spirited away one night and you unable to do anything except go about your daily business and hope that you, too, would not be subject to the same fate.)

Eventually, on that first morning after the war, I found myself at Blythe Academy. I had hopped and hobbled my way there after an hour or two, my journey aimless and funereal. An ache and an emptiness had begun to gnaw away at me. A glimpse of the familiar acted like an anchor.

For some reason, I had assumed that the desecration of the Truffidian Cathedral would have extended to Blythe Academy as well, but this was not the case. I saw a few broken windows, two overturned benches, an area of burnt grass, and a singed section of roof, but the willow trees remained the same as always. Priests and teachers bustled across the lawn, cleaning up the debris. The air of activity, of honest labor, gave me hope.

I sat down on a bench, hoping that somehow the memory of those long-ago conversations that had so calmed me then might calm me now.