Back City of Saints and Madmen
Chapters (42)
  1. Title Page
  2. Copyright Notice
  3. Dedication
  4. City of Saints and Madmen
  5. Dradin, in Love
  6. 1
  7. The Hoegbotton Guide to the Early History of the City of Ambergris
  8. 1
  9. The Cage
  10. 1
  11. The Transformation of Martin Lake
  12. The Strange Case of X
  13. Shriek: An Afterword
  14. AN AFTERWORD TO THE EARLY HISTORY OF AMBERGRIS
  15. PART I
  16. 1
  17. 5
  18. PART II
  19. 1
  20. 4
  21. A (BRIEF) AFTERWORD BY SIRIN
  22. Finch
  23. MONDAY
  24. 1
  25. TUESDAY
  26. 1
  27. WEDNESDAY
  28. 1
  29. THURSDAY
  30. 1
  31. FRIDAY
  32. 1
  33. SATURDAY
  34. 1
  35. SUNDAY
  36. ACKNOWLEDGMENTS
  37. Illustration credits
  38. NOTES
  39. Notes 2
  40. Also by Jeff Vandermeer
  41. A Note About the Author
  42. Newsletter Sign-up

At last, Dradin came to his room, flung open the door, and shut it abruptly behind him. As the citizens of Ambergris prepared for the Festival, so now he must prepare for his love, putting aside the distractions of joblessness and decreasing coin. He stripped and took a shower, turning the water on so hot that needles of heat tattooed his skin red, but he felt clean, and more than clean, cleansed and calm, when he came out after thirty minutes and wiped himself dry with a large green towel. Standing in front of the bathroom mirror in the nude, Dradin noted that although he had filled out since the cessation of his fever, he had not filled out into fat. Not even the shadow of a belly, and his legs thick with muscle. Hardly a family characteristic, that, for his randy father had, since the onset of Mom’s river adventures, grown as pudgy as raw bread dough. Nothing for Dad to do but continue to teach ethics at the university and hope that the lithe young things populating his classes would pity him. But for his son a different fate, Dradin was sure.

Dradin shaved, running the blade across his chin and down his neck, so that he thrilled to the self-control it took to keep the blade steady; and yet, when he was done, his hand shook. There. Now various oils worked into the scalp so that his hair became a uniform black, untainted by white except at the outer provinces, where it grazed his ears. Then a spot of rouge to bring out the muddy green of his eyes—a scandalous habit, perhaps, learned from his mother of course, but Dradin knew many pale priests who used it.

For clothing, Dradin started with clean underwear and followed with fancy socks done up in muted purple and gold serpent designs. Then the trousers of gray—gray as the slits of his father’s eyes in the grip of spirits, gray as his mother’s listless moods after performances at the music halls. Yes, a smart gray, a deep gray, not truly conservative, followed by the shirt: large on him but not voluminous, white with purple and gold buttons, to match the socks, and a jacket over top that mixed gray and purple thread so that, from heel to head, he looked as distinguished as a debutante at some political gala. It pleased him—as much a uniform as his missionary clothes, but the goal a conversion of a more personal nature. Yes, he would do well.

Thus equipped, his pockets jingly with his last coins, his stomach wrapped in coils of nerves (an at-sea sensation of notenoughmoney, notenoughmoney beating inside his organs like a pulse), Dradin made his way out onto the streets.

The haze of twilight had smothered Ambergris, muffling sounds and limiting vision, but everywhere also: lights. Lights from balconies and bedrooms, signposts and horse carriages, candles held by hand and lanterns swinging on the arms of grizzled caretakers who sang out, from deep in their throats, “The dying of the light! The dying of the light! Let the Festival begin.”