Chapters (42)
- Title Page
- Copyright Notice
- Dedication
- City of Saints and Madmen
- Dradin, in Love
- 1
- The Hoegbotton Guide to the Early History of the City of Ambergris
- 1
- The Cage
- 1
- The Transformation of Martin Lake
- The Strange Case of X
- Shriek: An Afterword
- AN AFTERWORD TO THE EARLY HISTORY OF AMBERGRIS
- PART I
- 1
- 5
- PART II
- 1
- 4
- A (BRIEF) AFTERWORD BY SIRIN
- Finch
- MONDAY
- 1
- TUESDAY
- 1
- WEDNESDAY
- 1
- THURSDAY
- 1
- FRIDAY
- 1
- SATURDAY
- 1
- SUNDAY
- ACKNOWLEDGMENTS
- Illustration credits
- NOTES
- Notes 2
- Also by Jeff Vandermeer
- A Note About the Author
- Newsletter Sign-up
All I have left as proof are a few short, unintentionally humorous letters from Sabon to Duncan, and from Duncan to Sabon—shaken out of Duncan’s journal like dead moths.
Sabon: My love, last night was wonderful. I’ve never talked to anyone the way I’ve talked to you. You teach me so much. You make me understand things so well. You make me feel like I’m floating on a cloud, on a star, so light do you make me feel. Until next time, I am sorrowful and sick. I will not sign this letter, in case it is discovered, but you know who I am.
Duncan: Your skin is so smooth I want to lick it all day long. Your body makes my body hum with pleasure. Your hair, your breasts, your small hands, your ears, as delicate as the most delicate of fungi, your strong thighs, your elbows, your eyes, your kneecaps, even! I want all of you, again and again.
Sabon: My beautiful love—last night I felt I knew you better than before, if that is possible. In the dark where we could not see each other, I still felt I could somehow see you. (Humorously enough, there was, thinking back, a certain glow to me back then, due to the colonization by the fungi.) The way you talk to me—I don’t know if I’m worthy of the love I hear in your voice. But I will try.
Duncan: It is truly amazing, the way our bodies fit together like some kind of perfect jigsaw puzzle. Yours makes mine feel so good. I hope I make yours feel half as good. Every night I cannot come to you is agony. I can’t think of anything else—even in the classroom when I’m supposed to be teaching. And when you are near me then, I tremble. My hands, my legs, shake, and I cannot hear anyone but you, and I want you there, then. This is a craving I cannot satisfy.
Standard nattering romantic fare, uttered from the lips and pens of a thousand lovers a year, although usually not in such a staccato point-counterpoint of romance/lust, romance/lust. (Not fair! That was early on, Janice! When I remained acutely aware that I was older and she was younger, and she worried that she was too young and I was too mature. So we each tried to shed our age, to reverse the expected. It might have been foolish, but it reflected concern, affection, care, for the other. Besides, we used to hide these letters in dozens of places inside Blythe and on the grounds. Some never reached the intended recipient. Of those that did, I only kept a few of hers, and not all of mine were returned. Sometimes she was lustful and I was loving. Sometimes I would look out across the Academy from my office and see nothing but a world of potentially hidden love letters, all for me or by me.)