Back City of Saints and Madmen
Chapters (42)
  1. Title Page
  2. Copyright Notice
  3. Dedication
  4. City of Saints and Madmen
  5. Dradin, in Love
  6. 1
  7. The Hoegbotton Guide to the Early History of the City of Ambergris
  8. 1
  9. The Cage
  10. 1
  11. The Transformation of Martin Lake
  12. The Strange Case of X
  13. Shriek: An Afterword
  14. AN AFTERWORD TO THE EARLY HISTORY OF AMBERGRIS
  15. PART I
  16. 1
  17. 5
  18. PART II
  19. 1
  20. 4
  21. A (BRIEF) AFTERWORD BY SIRIN
  22. Finch
  23. MONDAY
  24. 1
  25. TUESDAY
  26. 1
  27. WEDNESDAY
  28. 1
  29. THURSDAY
  30. 1
  31. FRIDAY
  32. 1
  33. SATURDAY
  34. 1
  35. SUNDAY
  36. ACKNOWLEDGMENTS
  37. Illustration credits
  38. NOTES
  39. Notes 2
  40. Also by Jeff Vandermeer
  41. A Note About the Author
  42. Newsletter Sign-up

(In time, the game did outgrow its original boundaries. At every opportunity, I would murmur in the ears of my fellow instructors, like an echo of their own desires, hints of scholarship and glory if they only turned their attention to this or that ignored corner of history. “I wonder if anyone has ever compared the version of Nysman’s report on the Silence stored at Nicea with the version stored at Zamilon. I am told they diverge in ways that speak to issues of authenticity in Samuel Tonsure’s journal.” Casually, off-the-cuff, as if it fell outside my area of expertise, but should be pursued by someone, with great rewards for any enterprising scholar. In all of this, Bonmot was an interesting factor. He guessed what I was up to rather early on, I think, but never did anything to stop me. Raised an eyebrow, gave me a penetrating stare, but that was it.

(And so, by the fourth year of my employment at Blythe Academy, I had built my own machine, fully as terrible and far-reaching as the Machine I had encountered underground. You understand now, I hope? I had managed to subvert and divert the resources of an entire institution of higher learning to the contemplation of a single question with many branches. The diagram I drew to exemplify this question was based on Tonsure’s account and deliberately resembled the gray caps’ most recurrent symbol, which had been drawn on walls, on cobblestones, but never explicated.

(Intentionally incomprehensible to outsiders, the diagram helped me see the relationships between various people and concepts in a new way. Manzikert I had triggered the Silence, I felt certain, with his actions in founding Ambergris. Samuel Tonsure had somehow cataloged and explained the gray caps during his captivity underground. Aquelus, a later ruler of Ambergris, had suffered Manzikert’s same fate, but survived to return aboveground. As Zamilon held some answer, so too did Alfar, the ruined tower to which Aquelus’s wife had retired prior to the Silence, thus ensuring her survival. And then there were the Silence and the Machine. How did they connect? And how did it all tie back in to the gray caps? These were the perhaps unanswerable questions I struggled with, and the structure through which I examined them.